CV VISION + EMBRYO x OCCII

EMBRYO (DE)
Odd rhythms, psychedelic soundscapes, improvisations with the moment and the space, accompanied by hypnotic grooves and spontaneous poetry.

Embryo is a unique international music collective from Munich that combines Krautrock, jazz, free improvisation, and rhythms and sounds from both within and outside Europe like no other. Embryo has existed since 1969, transcending generations, genres, and borders. They have played with Mal Waldron, Okay Temiz, Fela Kuti, Charlie Mariano, and many others.

Marja Burchard, daughter of founder Christian Burchard, took over the band in 2015, the band in which she grew up. Since then, Embryo has continued with her, constantly seeking new sounds, rhythms, and ideas from different thinkers.

“The early seventies from Embryo’s founding phase merge with the present of the current lineup. As if eternity resonates in their music.” Time-boundary transcenders by Dirk Wanger, “Süddeutsche Zeitung”

“The new Embryo pieces are also a meditation on form and dissolution.” SZ – Feb 2022

“With every concert, a cosmic sonic journey to new shores unfolds. The journey is far from over. It grows and draws sustenance from influences around the globe, it undergoes metamorphoses and yet always remains: Embryo. Founded in 1969, this cult band, whose longevity is surpassed only by the Rolling Stones, is performing in its current incarnation at one of the Summer Jazz Weeks at the Unterfahrt in Munich.” Sept 2021

CV Vision – Release The Beast (Bureau B)
CV Vision returns with the follow-up to his last opus “Im Tal der Stutzer” and delivers his sixth studio album “Release The Beast” – where he finds the sweet spot between psych rock, Detroit techno, fried synths, black metal and library music. Teaming up again with Swedish drummer Uno Bruniusson, CV Vision switched up the last production approach and opted for a return to previous studio ethologies.

“I wanted to get a rougher sound on this record,” he says. “I dug out my two broken reel-to-reel tape machines, and patched them together, like Frankenstein. That’s what gels everything really – there’s
different musical styles, but it’s the tape machine that brings it all together, sound-wise.”

“Release The Beast” does indeed fly off in several directions over the course of fourteen tracks, and gives us an insight into the full spectrum of the CV Vision musical universe. Fuzzed-out backbeats and psych progressions establish the opening tracks, as the sweet harmonies of ‘RTB’ and ‘The Rhythm’ are offset by raw magnetic hiss. ‘Dungeon Drums I, II, III’ draws on acid and early Detroit techno experiments, tapping into the cosmic elements of the Motor City’s beatdown grooves (and even mediaeval black metal melodies) to bring out a krautrock twist. The second half of “Release The Beast” takes another turn with instrumental jams, like ‘Nikita’s Tune’ and ‘It’s K-Jazz’, that nod towards the psychedelic soul of David Axelrod and Rotary Connection, and the trippy DIY experiments of L.G. Mair, Jr. Closing out the album, CV Vision lays down the bluesy stomper ‘Town Talk’ and distorted motorik workout ‘The Jam’ next to the folky incantation of ‘Brickwall Symphony’ and stacked layers of heavy guitars on ‘Go Your Way’. While “Release The Beast” is a varied tapestry of sounds and styles, there’s a common thread running through it all.

The cover art depicts the boarded-up entrance of a Berlin stairwell, surrounded by the burnt-out debris of a long-forgotten party. “It’s not just about letting out inner demons,” he says, “but rather coming to the end of a creative process. A chaotic, troubled process, but also one where something good comes out at the end!”