CiNEMERCATOR - Alice Rohrwach er CORPUS CELESTE 2012
Filmlover,
Merthe Voorhoeve,
Andreas van Riet,
Maaike Hasselaar
& Elisabeth van Vliet,
each are programming 1 precious film per month. That's 4 precious films per month!
CiNEMERCATOR
doors open 19:00
start 20:00
ticket 3€
10-6
Alice Rohrwacher CORPUS CELESTE 2012
Alice Rohrwacher’s Corpo Celeste has the quiet intensity of someone observing the world very closely without trying to force meaning onto it. The film follows Marta, a shy thirteen-year-old girl returning with her family to southern Italy after years abroad, as she drifts through the rituals of Catholic education and adolescence with a mixture of curiosity, confusion and silent disappointment. Rohrwacher films this world with remarkable patience: priests, catechism teachers, crumbling apartment blocks, half-finished conversations, neon lights, cheap religious imagery- all of it feels both; absurd and deeply real.
Marta is searching for something sincere, some form of spiritual or emotional truth, but the adults around her mostly seem trapped in habit, vanity, or exhaustion. The film understands how lonely that realization can be at that age, when you begin noticing that the structures meant to guide you are themselves fragile and confused.
Rohrwacher has an extraordinary eye for faces, gestures, and spaces. Nothing is overstated. The film moves almost like memory: fragments of songs, awkward silences, nighttime streets, religious processions, moments of accidental beauty. Beneath its realism there is also something faintly mystical, as if the possibility of grace still exists somewhere at the edges of this broken world, even if nobody quite knows how to reach it anymore.
This film is chosen by Andreas
17-6
Alan Elliott/Sydney Pollack AMAZING GRACE 1972/2018
In this beautiful concert film, documenting a performance given by Aretha Franklin in 1972, the Queen of Soul shines like no other. The footage was originally shot by Hollywood director Sydney Pollack, but due to technical problems it remained locked away in a vault for decades, until director Alan Elliott finally assembled it in 2018. The film was released shortly after Franklin’s passing.
The concert offers a wonderful portrait of a then 30-year-old Franklin, performing in the gospel tradition in which she was raised and which remained deeply her own. Through her music, she bridges the world of traditional churchgoers and the pop icons of the era, all of whom made the journey to the Baptist church to hear Aretha sing.
This film is chosen by Maaike
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