BEGIN:VCALENDAR VERSION:2.0 CALSCALE:GREGORIAN PRODID:adamgibbons/ics METHOD:PUBLISH X-PUBLISHED-TTL:PT1H BEGIN:VEVENT UID:23515@offbeat.amsterdam SUMMARY:CiNEMERCATOR - Alice Rohrwach er CORPUS CELESTE 2012 DTSTAMP:20260605T212227Z DTSTART:20260610T180000Z DESCRIPTION:Filmlover\,\n\n4 cinephiles: [https://www.supermercator.nl/cine mercator/team-cinemercator]\n\nMerthe Voorhoeve\,\n\nAndreas van Riet\,\n\ nMaaike Hasselaar\n\n& Elisabeth van Vliet\,\n\neach are programming 1 pre cious film per month. That's 4 precious films per\nmonth!\n\nCiNEMERCATOR\ n\ndoors open 19:00\n\nstart 20:00\n\nticket 3€\n\n10-6\n\nAlice Rohrwache r CORPUS CELESTE 2012\n\nAlice Rohrwacher’s Corpo Celeste has the quiet in tensity of someone observing\nthe world very closely without trying to for ce meaning onto it. The film follows\nMarta\, a shy thirteen-year-old girl returning with her family to southern Italy\nafter years abroad\, as she drifts through the rituals of Catholic education and\nadolescence with a m ixture of curiosity\, confusion and silent disappointment.\nRohrwacher fil ms this world with remarkable patience: priests\, catechism\nteachers\, cr umbling apartment blocks\, half-finished conversations\, neon lights\,\nch eap religious imagery- all of it feels both\; absurd and deeply real.\n\nM arta is searching for something sincere\, some form of spiritual or emotio nal\ntruth\, but the adults around her mostly seem trapped in habit\, vani ty\, or\nexhaustion. The film understands how lonely that realization can be at that age\,\nwhen you begin noticing that the structures meant to gui de you are themselves\nfragile and confused.\n\nRohrwacher has an extraord inary eye for faces\, gestures\, and spaces. Nothing is\noverstated. The f ilm moves almost like memory: fragments of songs\, awkward\nsilences\, nig httime streets\, religious processions\, moments of accidental\nbeauty. Be neath its realism there is also something faintly mystical\, as if the\npo ssibility of grace still exists somewhere at the edges of this broken worl d\,\neven if nobody quite knows how to reach it anymore.\n\nThis film is c hosen by Andreas\n[https://www.supermercator.nl/cinemercator/team-cinemerc ator]\n\n17-6\n\nAlan Elliott/Sydney Pollack [https://en.wikipedia.org/wik i/Sydney_Pollack]\nAMAZING GRACE 1972/2018\n\nIn this beautiful concert fi lm\, documenting a performance given by Aretha\nFranklin in 1972\, the Que en of Soul shines like no other. The footage was\noriginally shot by Holly wood director Sydney Pollack\, but due to technical\nproblems it remained locked away in a vault for decades\, until director Alan\nElliott finally assembled it in 2018. The film was released shortly after\nFranklin’s pass ing.\n\nThe concert offers a wonderful portrait of a then 30-year-old Fran klin\,\nperforming in the gospel tradition in which she was raised and whi ch remained\ndeeply her own. Through her music\, she bridges the world of traditional\nchurchgoers and the pop icons of the era\, all of whom made t he journey to the\nBaptist church to hear Aretha sing.\n\nThis film is cho sen by Maaike\n[https://www.supermercator.nl/cinemercator/team-cinemercato r]\n\nDo you want to receive our\n\nmonthly program? [https://www.youtube. com/watch?v=f2uC-cF_lbU&t=1s]\n\nSend 'show me your movies' to [cinemercat or@gmail.com]:\n\ncinemercator@gmail.com [cinemercator@gmail.com]\n\narchi ve [https://www.supermercator.nl/cinemercator/cinemercator-a-r-c-h-i-v-e] URL:https://offbeat.amsterdam/event/cinemercator-alice-rohrwach-er-corpus-c eleste-2012 GEO:52.3689648;4.8512865 LOCATION:Supermercator - Mercatorplein 3H\, 1057 BX Amsterdam STATUS:CONFIRMED CATEGORIES:amsterdam-west,concert,de-baarsjes,film,gospel,music,oud-west,pe rformance,soul X-ALT-DESC;FMTTYPE=text/html:

Filmlover,

4 cinephiles:

Mer the Voorhoeve,

Andreas van Riet,

Maaike Hasselaar

&am p; Elisabeth van Vliet,

each are programming 1 precious film per mon th. That's 4 precious films per month!

CiNEMERCATOR

doors ope n 19:00

start 20:00

ticket 3€

10-6

Alice Rohrwa cher CORPUS CELESTE 2012

Alice Rohrwacher’s Corpo Celeste h as the quiet intensity of someone observing the world very closely without trying to force meaning onto it. The film follows Marta, a shy thirteen-y ear-old girl returning with her family to southern Italy after years abroa d, as she drifts through the rituals of Catholic education and adolescence with a mixture of curiosity, confusion and silent disappointment. Rohrwac her films this world with remarkable patience: priests, catechism teachers , crumbling apartment blocks, half-finished conversations, neon lights, ch eap religious imagery- all of it feels both; absurd and deeply real.

< p>Marta is searching for something sincere, some form of spiritual or emot ional truth, but the adults around her mostly seem trapped in habit, vanit y, or exhaustion. The film understands how lonely that realization can be at that age, when you begin noticing that the structures meant to guide yo u are themselves fragile and confused.

Rohrwacher has an extraordina ry eye for faces, gestures, and spaces. Nothing is overstated. The film mo ves almost like memory: fragments of songs, awkward silences, nighttime st reets, religious processions, moments of accidental beauty. Beneath its re alism there is also something faintly mystical, as if the possibility of g race still exists somewhere at the edges of this broken world, even if nob ody quite knows how to reach it anymore.

This film is chosen by Andreas

17-6

Alan Elliott/Sydney Pollack AMAZIN G GRACE 1972/2018

In this beautiful concert film, documenting a perf ormance given by Aretha Franklin in 1972, the Queen of Soul shines like no other. The footage was originally shot by Hollywood director Sydney Polla ck, but due to technical problems it remained locked away in a vault for d ecades, until director Alan Elliott finally assembled it in 2018. The film was released shortly after Franklin’s passing.

The concert offers a wonderful portrait of a then 30-year-old Franklin, performing in the gosp el tradition in which she was raised and which remained deeply her own. Th rough her music, she bridges the world of traditional churchgoers and the pop icons of the era, all of whom made the journey to the Baptist church t o hear Aretha sing.

This film is chosen by Maaike< /p>

Do you want to receive our

monthly program?

Send 'show me yo ur movies' to:

cinemercator@gmail.com

archive

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