Graveyard

🦇back sooner than expected🦇

Joining us will be our dear friends MOFS and swærm for a night of harsh, spooky Industrial, EBM and TBM.

MOFS is a producer, DJ, and visual artist from Costa Rica. MOFS explores electronic music such as Industrial Techno, EBM, Dark Ambient, and Cinematic.

MOFS releases music on labels such as Revolte, Dirol, Mephyst Label, Brutal Forms, Abysmal Sun Records, Das Kollektive, and Pollen Music.

He has released two studio albums and three EPs, as well as several appearances on various “Various Artists” compilations.

His perseverance has led him to play in countries such as Germany (Gier Events/ Leipzig, HTH / Berlin / Raving in Hell by Akuma Recs / Rostock, Mexico (Colapso), Colombia (Ansia Festival), Guatemala (Sorcery), Switzerland (Hell&Hammers), anc Slovenia (Bind).
He has been part of festivals such as HORST Festival (Berlin), Ansia Festival (Colombia), Industrial Festival (Costa Rica), MOFS has shared the stage with artists such as Max Durante, Sarin, Desolate Discoteque, Magnum Opus, Metaraph, and more.
MOFS is an abbreviation for “Manifestation Of Forgotten Souls,”
and the ultimate
goal of the project is to take listeners on an experience with the experiential sounds and energy of the body, creating a ritual with ourselves and never forgetting our inner callings and creative voices.
Dj Podcast on the 666666 label and Necromechanica from Ukraine, Das Kollektive from Italy, Kontrast Kollective from Rostock, Germany, RP by Revolve from Chile, Bipolar Soundsets from Costa Rica
MOFS has live shows as a DJ (Industrial Techno, EBM, Cinematic)
Live Act (EBM / Dark Ambient)

Scottish-born artist swærm crafts a visceral and uncompromising sound rooted deep in the underbelly of body music. Drawing from the raw textures of early industrial, the brooding atmospheres of wave, the menacing urgency of post-punk, and a wide spectrum of dark electronic influences, his sound is a confrontational yet hypnotic fusion - designed as much for physical movement as for psychological immersion.

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