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UID:24708@offbeat.amsterdam
SUMMARY:WHAT IS THE ROLE OF THE INDEPENDENT CURATOR TODAY?
DTSTAMP:20260710T205504Z
DTSTART:20260718T160000Z
DESCRIPTION:DISCUSSION WITH NINA FOLKERSMA\, NESLI GÜL\, ÀNGELS MIRALDA\, A
	ND NAT MULLER\n\nWhat is the role of the independent curator today? What f
	actors are shifting our\nunderstanding of curating and authorship? In Febr
	uary\, Àngels Miralda published\nthe article “Who Killed the Independent C
	urator?” in Frieze Magazine in which\nshe argued that the value of the ind
	ependent curator has seen a decrease in\nfavour of intra-institutional rel
	ations through the doubling of institutional\ncontracts. Freelance roles\,
	 appropriate for non-contracted workers\, are\nregularly given to full-tim
	e institutional employees. How does this affect\nartists? How does this re
	structure the art ecosystem? This open discussion\nbrings together four pe
	rspectives of Amsterdam-based curators to introduce the\ncurrent state and
	 local conditions for independents. The title of this\nopen-discussion int
	ends to put a focus on the little-known world of how\nindependent curators
	 operate and the struggles created by the lack of\ndifferentiation between
	 independent and institutional curators within Dutch\nfunding infrastructu
	re.\n\nimage caption: Ahmet Öğüt\, Appointed Curators\, 2022
URL:https://offbeat.amsterdam/event/what-is-the-role-of-the-independent-cur
	ator-today
GEO:52.3735679;4.8972388
LOCATION:San Serriffe - Sint Annenstraat 30\, 1012 HE Amsterdam
STATUS:CONFIRMED
CATEGORIES:amsterdam-centrum,discussion,oude kerk
X-ALT-DESC;FMTTYPE=text/html:<h2> discussion with Nina Folkersma, Nesli Gül
	, Àngels Miralda, and Nat Muller </h2> <p>What is the role of the independ
	ent curator today? What factors are shifting our understanding of curating
	 and authorship? In February, Àngels Miralda published the article “Who Ki
	lled the Independent Curator?” in Frieze Magazine in which she argued that
	 the value of the independent curator has seen a decrease in favour of int
	ra-institutional relations through the doubling of institutional contracts
	. Freelance roles, appropriate for non-contracted workers, are regularly g
	iven to full-time institutional employees. How does this affect artists? H
	ow does this restructure the art ecosystem? This open discussion brings to
	gether four perspectives of Amsterdam-based curators to introduce the curr
	ent state and local conditions for independents. The title of this open-di
	scussion intends to put a focus on the little-known world of how independe
	nt curators operate and the struggles created by the lack of differentiati
	on between independent and institutional curators within Dutch funding inf
	rastructure.</p> <p>image caption: Ahmet Öğüt, <em>Appointed Curators, 202
	2</em> </p>
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