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SUMMARY:Small Miracle #3: Radiance
DTSTAMP:20260726T134334Z
DTSTART:20260620T130000Z
DTEND:20260621T000000Z
DESCRIPTION:Saturday 20 June\n\n\nSMALL MIRACLE #3: RADIANCE\n\nLineup: Bil
	ly Morgan\, Lina Bravo\, rots and Adil (ekat yawa)\, Radna Rumping\,\nGust
	avo A. Cruz Cerna\, Andrea González\, Simon Marschall\, Matcha / Gerardo\n
	Contreras\, Yelizaveta Strakhova | Piano bar: Alec Mateo\, Bin Koh\, Jimen
	a Casas\,\ntbaTime: 15:00 - 02:00 hrsTickets: € 10\,- | Stadspas Groene St
	ip: €2\,50 | Choose\nyour arrival timeslot: 15:00 - 18:00 / 18:00 - 21:00 
	/ 21:00 - 23:00 (This is\nyour arrival timeslot\, not an begin and end-tim
	e of your stay)Tickets\n[https://plein-theater.stager.co/shop/default/even
	ts?date=2026-06-20]\n\nDutch below\n\n\n#GETINVOLVED\n\nThis series is par
	t of the Plein Theater program for co-creation\, in which we\ninvite you t
	o participate\, and curated by creative community producer Lorenzo\nGarcía
	-Andrade Llamas. Read more on our page Community >\n[https://plein-theater
	.nl/en/community]\n\nWe invite you to an extended program dedicated to rad
	iance: light in excess of\nnecessity. Taking place on the eve of the summe
	r solstice\, the gathering\ncelebrates that which extends beyond itself\; 
	shining\, spilling\, reflecting\,\nrefracting\, scattering\, emanating and
	 enduring.\n\nThrough an afternoon and evening of swimming\, music\, perfo
	rmance\, collective\nmaking and shared meals\, we will gather around the l
	ight that\, at this time of\nyear\, stretches the days unwilling to leave.
	\n\n\nSMALL MIRACLES\n\nSmall Miracles is a series of interdisciplinary pr
	ograms that tend to the\nexisting and possible communities of Plein Theate
	r. Taking place across\ndifferent Saturdays throughout the year\, the seri
	es brings together diverse\nartistic practices in extended\, durational fo
	rmats.\n\nEach Saturday is dedicated to a word—or a word-mode—that serves 
	as an invitation\nto explore the possibilities a theater offers for coming
	 together. With a focus\non desirable abundances and communal luxury\, the
	 programming of Small Miracles\nleans toward words aligned with these noti
	ons.\n\n\n#3: RADIANCE\n\nOn the eve of the summer solstice\, we invite yo
	u to a gathering dedicated to the\nexcess of light at this time of year an
	d the different ways it emanates.\nConceived around the shifting moments o
	f the day\, the program attends the\nchanging qualities of light and the s
	ituations and relations they produce. As\nthe day progresses and the light
	 transforms\, so too does the gathering.\n\n\nPROGRAM\n\nThe program unfol
	ds through a series of phases:\n\n15:00–18:00 - Swimming & Collective Maki
	ng\n\nThroughout the afternoon\, a swimming pool for the feet designed by 
	Yelizaveta\nStrakhova and hosted by Andrea González will be open on the te
	rrace.\n\nrots and Adil from Ekat Yawa will host Long Shadow Blue Sky\, a 
	cyanotype\nworkshop. We will be exposing different "things" and "parts" to
	 the two\ndifferent chemicals that were the precursor (voorloper) to photo
	graphy. The\nresulting works will be developed and installed on the walls 
	of the theater\nlater that day.\n\nLina Bravo will host an Earth Consultor
	y\, inviting participants to meet\ndifferent clays\, sands\, pigments and 
	soils gathered from Amsterdam and beyond.\nWe will bind them into watercol
	ors using the sweet solar energy of honey and\nbotanic gums.\n\nSimon Mars
	chall will offer the workshop Guardening What\, through conversations\,\nm
	ovement\, and ways of perception we will explore ways to destructure garde
	ning\nas an expression of control.\n\nGustavo A. Cruz Cerna will share the
	 talk _Do you have a moment to talk about\ncollectives?_ in which he explo
	res Mexican art collectives from the 1970s and\ntheir role in the country'
	s art history. In this process he opens a conversation\nabout the state of
	 collective practices in Mexico's art scene today.\n\n18:00–19:00 - Exhibi
	tion Opening & Dinner\n\nWe will open the exhibition resulting from the cy
	anotype workshop and share a\ndinner.\n\n19:00–21:00 — Piano Bar & DJ Set 
	by Radna Rumping\n\nFor two hours\, community members and guests are invit
	ed to play the piano in the\ntheater ́s café. Contributions may last anywh
	ere between a single song and ten\nminutes. In the intervals between perfo
	rmances\, Radna Rumping will provide a\ncontinuous musical accompaniment.\
	n\nConfirmed piano players include:\n\nAlec Mateo\n\nBin Koh\n\nJimena Cas
	as\n\nMore participants to be announced.\n\n21:00–21:30 - Performance\n\nT
	he Piano Bar will be followed by a performance by Billy Morgan\, presentin
	g a\nnew study combining movement and self-produced music.\n\n21:30–Late -
	 Celebration\n\nDJ Matcha plays and celebration into the night.\n\n\n#GETI
	NVOLVED\n\nCyanotype Workshop & Piano Bar\n\nOn the eve of the summer sols
	tice\, we invite you to contribute to Radiance\, a\nday-long gathering ded
	icated to the excess of light and the many ways it\ntravels.\n\n15:00–18:0
	0 — Cyanotype Workshop\n\nrots and Adil from ekat yawa will host long shad
	ow blue sky\, a collective\ncyanotype workshop. We will be exposing differ
	ent "things" and "parts" to the\ntwo different chemicals that were the pre
	cursor (voorloper) to photography.\nThroughout the afternoon\, we will wor
	k together to create a temporary exhibition\nthat will be installed on the
	 walls of Plein Theater and opened later that\nevening. Come and make your
	 own cyanotype on the longest day of the year. What\ndoes the light reflec
	t or retrace?\n\nNo previous experience is necessary.\n\n19:00–21:00 — Pia
	no Bar\n\nAs the day moves into evening\, the piano in Plein Theater's caf
	é will be opened\nto friends\, neighbors\, artists\, musicians and anyone 
	who would like to share a\nsong. Participants are invited to play for anyw
	here between a single piece and\nten minutes. Classical music\, pop songs\
	, improvisations\, unfinished\ncompositions\, standards\, experiments and 
	unexpected encounters with the\ninstrument are all welcome.\n\nIn the inte
	rvals between performances\, Radna Rumping will accompany the evening\nwit
	h a DJ set.\n\nIf you would like to participate in the Piano Bar\, please 
	contact: Lorenzo\nGarcía Andrade (lorenzo@plein-theater.nl [lorenzo@plein-
	theater.nl])\n\n\nABOUT THE ARTISTS\n\nLina Bravo Mora (Bogotá) Based in A
	msterdam\, is a visual artist\, clay and soil\nresearcher with a backgroun
	d in social anthropology\, radical pedagogies and\nfacilitation for confli
	ct transformation. She works in co-creating educational\nspaces and progra
	ms for life-sustaining\, emancipatory and liberatory practices.\n\nRadna R
	umping is an Amsterdam-based curator and artist. Her practice is\nrelation
	al and collaborative\, engaging with public space\, experimental\narchivin
	g\, forms of gathering\, and conditions of (in)visibility. She is drawn to
	\nartistic practices that defy categorisation\, with a special interest fo
	r\nperformance art. In 2015 she co-founded Ja Ja Ja Nee Nee Nee\, an onlin
	e radio\nplatform dedicated to the arts. Her essays and audio works are ma
	de public\nthrough readings\, radio broadcasts\, exhibitions and sofarsore
	al.net\n[http://sofarsoreal.net/].\n\nrots (they/them\, 1994) is a specula
	tive lifestyle designer currently\nresearching: masculinity\, performativi
	ty\, (i love) language\, (the art of)\nmaintenance\, (my) grandparents\, w
	i(t)chcraft\, alternative/anti capitalistic webs\nand networks\, coinciden
	ce and association.\n\nAdil is a printer\, projectionist (images/emotions)
	\, sometimes writer\, teacher.\nInterested in resistance\, masculinity\, w
	orking together with people to make\nthings not shit.\n\nekat yawa is take
	 away in reverse. we work work together decentralizing the\ncentre of amst
	erdam.\n\nYelizaveta Strakhova (b. 1993\, Russia) is an Amsterdam-based sp
	atial\npractitioner at the intersection of art and architecture. She uses 
	water's\nconnective and transformative force as a lens through which to ex
	plore societal\nvalues and dynamics\, reflecting broader cultural and envi
	ronmental narratives.\nShe experiments with formats of social gatherings a
	nd small-scale space-making\nas instant ways of critically responding to a
	 variety of contexts and\nimplementing and testing scenarios for the alter
	native development of\nlandscapes.\n\nAndrea González works with images. H
	er research revolves around spatial\npolitics\, infrastructure\, and terri
	tory through a possibilist and experimental\nlens. By exploring new forms 
	of storytelling\, she immerses herself in material\nculture\, reappropriat
	ing and re-signifying fragments. Her work revisits\nunderrepresented narra
	tives\, questions editorial practices\, and develops and\nuncovers new for
	ms of communication.\n\nGustavo A. Cruz Cerna is an independent editor\, c
	ritic\, and curator. He studied\nPhilosophy and Art History at the Nationa
	l Autonomous University of Mexico\n(UNAM). His current research focuses on
	 artistic collectives in Mexico during\nthe 1970s and 1980s and their part
	icipation in institutional art spaces. His\nwritings have been published i
	n media outlets such as Blog de Crítica\, Campo de\nRelámpagos\, Horizonta
	l\, GasTV\, Revista Cubo Blanco\, Nexos\, Revista Gatopardo\,\nand the Rev
	ista de la Universidad.Since 2015\, he has been an active member of\nthe c
	ollective Biquini Wax EPS. He has participated in exhibition projects at\n
	venues including the University Museum of Contemporary Art (MUAC)\, kurima
	nzutto\,\nthe University Museum of El Chopo\, and Campeche in Mexico City\
	, as well as the\nPalais de Tokyo and 15 Beautreillis in Paris. He current
	ly works as an editor at\nthe Centro de la Imagen and for Revista Cubo.\n\
	n\n\nTHROWBACK PAST EVENTS\n\n22 FEB 2026\nSmall Miracle #1: Nightkeeping\
	nView recap & photos >\n[https://plein-theater.nl/nieuws/02-mei-2026-small
	-miracle-2-antiproductivity]\n\n02 MAY 2026\nSmall Miracle #2: Anti-produc
	tivity\nView recap & photos >\n[https://plein-theater.nl/nieuws/22-feb-202
	6-small-miracles-1-nightkeeping]
URL:https://offbeat.amsterdam/event/small-miracle-3-solstice
GEO:52.3608907;4.9138063
LOCATION:Plein Theater - Sajetplein 39\, 1091 DB Amsterdam
STATUS:CONFIRMED
CATEGORIES:alternative,amsterdam-oost,blues,community,dinner,dj,exhibition,
	experimental,improv,music,oosterparkbuurt,opening,performance,piano,storyt
	elling,talk,theater,theatre,workshop
X-ALT-DESC;FMTTYPE=text/html:Saturday 20 June<h1>Small Miracle #3: Radiance
	</h1>Lineup: Billy Morgan, Lina Bravo, rots and Adil (ekat yawa), Radna Ru
	mping, Gustavo A. Cruz Cerna, Andrea González, Simon Marschall, Matcha / G
	erardo Contreras, Yelizaveta Strakhova | Piano bar: Alec Mateo, Bin Koh, J
	imena Casas, tbaTime: 15:00 - 02:00 hrsTickets: € 10,- | Stadspas Groene S
	tip: €2,50 | Choose your arrival timeslot: 15:00 - 18:00 / 18:00 - 21:00 /
	 21:00 - 23:00 (This is your arrival timeslot, not an begin and end-time o
	f your stay)<a href="https://plein-theater.stager.co/shop/default/events?d
	ate=2026-06-20" target="_blank">Tickets</a><p>Dutch below</p> <h2><strong>
	#GetInvolved</strong></h2> <p><strong>This series is part of the Plein The
	ater program for co-creation, in which we invite you to participate, and c
	urated by creative community producer Lorenzo García-Andrade Llamas. Read 
	more on our page <a href="https://plein-theater.nl/en/community" target="_
	blank">Community &gt;</a></strong></p>  <p>We invite you to an extended pr
	ogram dedicated to radiance: light in excess of necessity. Taking place on
	 the eve of the summer solstice, the gathering celebrates that which exten
	ds beyond itself; shining, spilling, reflecting, refracting, scattering, e
	manating and enduring.</p>  <p>Through an afternoon and evening of swimmin
	g, music, performance, collective making and shared meals, we will gather 
	around the light that, at this time of year, stretches the days unwilling 
	to leave.</p> <h2><strong>Small Miracles </strong></h2> <p>Small Miracles 
	is a series of interdisciplinary programs that tend to the existing and po
	ssible communities of Plein Theater. Taking place across different Saturda
	ys throughout the year, the series brings together diverse artistic practi
	ces in extended, durational formats.</p> <p>Each Saturday is dedicated to 
	a word—or a word-mode—that serves as an invitation to explore the possibil
	ities a theater offers for coming together. With a focus on desirable abun
	dances and communal luxury, the programming of Small Miracles leans toward
	 words aligned with these notions.</p> <h2><strong>#3: Radiance</strong></
	h2> <p>On the eve of the summer solstice, we invite you to a gathering ded
	icated to the excess of light at this time of year and the different ways 
	it emanates. Conceived around the shifting moments of the day, the program
	 attends the changing qualities of light and the situations and relations 
	they produce. As the day progresses and the light transforms, so too does 
	the gathering.</p> <h2><strong>Program</strong></h2> <p>The program unfold
	s through a series of phases:</p> <p><strong>15:00–18:00 - Swimming &amp; 
	Collective Making</strong></p> <p>Throughout the afternoon, a swimming poo
	l for the feet designed by <strong>Yelizaveta Strakhova</strong> and hoste
	d by <strong>Andrea González</strong> will be open on the terrace.</p> <p>
	<strong>rots</strong> and <strong>Adil</strong> from Ekat Yawa will host <
	em>Long Shadow Blue Sky</em>, a cyanotype workshop. We will be exposing di
	fferent "things" and "parts" to the two different chemicals that were the 
	precursor (voorloper) to photography. The resulting works will be develope
	d and installed on the walls of the theater later that day.</p> <p><strong
	>Lina Bravo</strong> will host an <em>Earth Consultory</em>, inviting part
	icipants to meet different clays, sands, pigments and soils gathered from 
	Amsterdam and beyond. We will bind them into watercolors using the sweet s
	olar energy of honey and botanic gums.</p> <p><strong>Simon Marschall </st
	rong>will offer the workshop <em>Guardening What</em>, through conversatio
	ns, movement, and ways of perception we will explore ways to destructure g
	ardening as an expression of control. </p> <p><strong>Gustavo A. Cruz Cern
	a </strong>will share the talk _<strong><em>Do you have a moment to talk a
	bout collectives?_ </em></strong> in which he explores Mexican art collect
	ives from the 1970s and their role in the country's art history. In this p
	rocess he opens a conversation about the state of collective practices in 
	Mexico's art scene today.</p> <p><strong>18:00–19:00 - Exhibition Opening 
	&amp; Dinner</strong></p> <p>We will open the exhibition resulting from th
	e cyanotype workshop and share a dinner.</p> <p><strong>19:00–21:00 — Pian
	o Bar &amp; DJ Set by Radna Rumping</strong></p> <p>For two hours, communi
	ty members and guests are invited to play the piano in the theater ́s café
	. Contributions may last anywhere between a single song and ten minutes. I
	n the intervals between performances, <strong>Radna Rumping</strong> will 
	provide a continuous musical accompaniment.</p> <p>Confirmed piano players
	 include:</p> <p><strong>Alec Mateo</strong></p> <p><strong>Bin Koh</stron
	g></p> <p><strong>Jimena Casas</strong></p> <p>More participants to be ann
	ounced.</p> <p><strong>21:00–21:30 - Performance</strong></p> <p>The Piano
	 Bar will be followed by a performance by <strong>Billy Morgan</strong>, p
	resenting a new study combining movement and self-produced music.</p> <p><
	strong>21:30–Late - Celebration</strong></p> <p><strong>DJ Matcha</strong>
	 plays and celebration into the night.</p> <h2><strong>#GetInvolved</stron
	g></h2> <p><strong>Cyanotype Workshop &amp; Piano Bar</strong></p> <p>On t
	he eve of the summer solstice, we invite you to contribute to <em>Radiance
	</em>, a day-long gathering dedicated to the excess of light and the many 
	ways it travels.</p> <p><strong>15:00–18:00 — Cyanotype Workshop</strong><
	/p> <p>rots and Adil from ekat yawa will host <em>long shadow blue sky</em
	>, a collective cyanotype workshop. We will be exposing different "things"
	 and "parts" to the two different chemicals that were the precursor (voorl
	oper) to photography. Throughout the afternoon, we will work together to c
	reate a temporary exhibition that will be installed on the walls of Plein 
	Theater and opened later that evening. Come and make your own cyanotype on
	 the longest day of the year. What does the light reflect or retrace? </p>
	 <p>No previous experience is necessary. </p> <p><strong>19:00–21:00 — Pia
	no Bar</strong></p> <p>As the day moves into evening, the piano in Plein T
	heater's café will be opened to friends, neighbors, artists, musicians and
	 anyone who would like to share a song. Participants are invited to play f
	or anywhere between a single piece and ten minutes. Classical music, pop s
	ongs, improvisations, unfinished compositions, standards, experiments and 
	unexpected encounters with the instrument are all welcome.</p> <p>In the i
	ntervals between performances, Radna Rumping will accompany the evening wi
	th a DJ set.</p> <p>If you would like to participate in the Piano Bar, ple
	ase contact: Lorenzo García Andrade (<a href="mailto:lorenzo@plein-theater
	.nl">lorenzo@plein-theater.nl</a>)</p> <h2><strong>About the artists</stro
	ng></h2> <p><strong>Lina Bravo Mora</strong> (Bogotá) Based in Amsterdam, 
	is a visual artist, clay and soil researcher with a background in social a
	nthropology, radical pedagogies and facilitation for conflict transformati
	on. She works in co-creating educational spaces and programs for life-sust
	aining, emancipatory and liberatory practices.</p> <p><strong>Radna Rumpin
	g</strong> is an Amsterdam-based curator and artist. Her practice is relat
	ional and collaborative, engaging with public space, experimental archivin
	g, forms of gathering, and conditions of (in)visibility. She is drawn to a
	rtistic practices that defy categorisation, with a special interest for pe
	rformance art. In 2015 she co-founded Ja Ja Ja Nee Nee Nee, an online radi
	o platform dedicated to the arts. Her essays and audio works are made publ
	ic through readings, radio broadcasts, exhibitions and <a href="http://sof
	arsoreal.net/" target="_blank">sofarsoreal.net</a>.</p> <p><strong>rots</s
	trong> (they/them, 1994) is a speculative lifestyle designer currently res
	earching: masculinity, performativity, (i love) language, (the art of) mai
	ntenance, (my) grandparents, wi(t)chcraft, alternative/anti capitalistic w
	ebs and networks, coincidence and association.</p> <p><strong>Adil</strong
	> is a printer, projectionist (images/emotions), sometimes writer, teacher
	. Interested in resistance, masculinity, working together with people to m
	ake things not shit.</p> <p><strong>ekat yawa</strong> is take away in rev
	erse. we work work together decentralizing the centre of amsterdam. </p> <
	p><strong>Yelizaveta Strakhova</strong> (b. 1993, Russia) is an Amsterdam-
	based spatial practitioner at the intersection of art and architecture. Sh
	e uses water's connective and transformative force as a lens through which
	 to explore societal values and dynamics, reflecting broader cultural and 
	environmental narratives. She experiments with formats of social gathering
	s and small-scale space-making as instant ways of critically responding to
	 a variety of contexts and implementing and testing scenarios for the alte
	rnative development of landscapes. </p> <p><strong>Andrea González </stron
	g>works with images. Her research revolves around spatial politics, infras
	tructure, and territory through a possibilist and experimental lens. By ex
	ploring new forms of storytelling, she immerses herself in material cultur
	e, reappropriating and re-signifying fragments. Her work revisits underrep
	resented narratives, questions editorial practices, and develops and uncov
	ers new forms of communication.</p> <p><strong>Gustavo A. Cruz Cerna</stro
	ng> is an independent editor, critic, and curator. He studied Philosophy a
	nd Art History at the National Autonomous University of Mexico (UNAM). His
	 current research focuses on artistic collectives in Mexico during the 197
	0s and 1980s and their participation in institutional art spaces. His writ
	ings have been published in media outlets such as Blog de Crítica, Campo d
	e Relámpagos, Horizontal, GasTV, Revista Cubo Blanco, Nexos, Revista Gatop
	ardo, and the Revista de la Universidad.Since 2015, he has been an active 
	member of the collective Biquini Wax EPS. He has participated in exhibitio
	n projects at venues including the University Museum of Contemporary Art (
	MUAC), kurimanzutto, the University Museum of El Chopo, and Campeche in Me
	xico City, as well as the Palais de Tokyo and 15 Beautreillis in Paris. He
	 currently works as an editor at the Centro de la Imagen and for Revista C
	ubo.<br> </p> <h2><strong>Throwback past events</strong></h2> <p>22 FEB 20
	26<br> <strong>Small Miracle #1: Nightkeeping</strong><br> <strong><a href
	="https://plein-theater.nl/nieuws/02-mei-2026-small-miracle-2-antiproducti
	vity" target="_blank">View recap &amp; photos &gt;</a></strong></p> <p>02 
	MAY 2026<br> <strong>Small Miracle #2: Anti-productivity</strong><br> <str
	ong><a href="https://plein-theater.nl/nieuws/22-feb-2026-small-miracles-1-
	nightkeeping" target="_blank">View recap &amp; photos &gt;</a></strong></p
	>
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