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UID:23271@offbeat.amsterdam
SUMMARY:Platform Power
DTSTAMP:20260601T215235Z
DTSTART:20260624T180000Z
DESCRIPTION:Artificial intelligence\, platform consolidation\, geopolitical
	 struggles over\ndigital infrastructure\, and increasingly polarized onlin
	e cultures have\ntransformed the terrain of public life. Critique of digit
	al systems is no longer\nconfined to specialists. But what comes after dia
	gnosis? A conversation\norganized by the Institute of Network Cultures.\n\
	nFor over two decades\, the Institute of Network Cultures has critically e
	ngaged\nwith digital culture through research\, artistic experimentation\,
	 and\npara-academic forms of public engagement. How have the conditions fo
	r critique\nchanged?\n\nIf earlier moments of network culture were shaped 
	by promises of openness\,\nparticipation\, and distributed organization\, 
	the present conjuncture raises more\ndifficult questions. What forms of cr
	itique remain possible when digital\ninfrastructures increasingly mediate 
	politics\, labor\, culture\, and knowledge?\nHas the object of critique it
	self shifted — from websites and social platforms\nto AI systems\, synthet
	ic media\, logistics\, and new forms of algorithmic\ngovernance?\n\nAt the
	 same time\, the institutional conditions for critique have also changed.\
	nAs universities and cultural institutions face increasing pressures of\np
	recarity\, quantification\, and commercialization\, para-academic spaces s
	uch as\nthe Institute of Network Cultures have taken on renewed significan
	ce. But how\ncan critical and experimental spaces sustain themselves while
	 maintaining\nautonomy?\n\nAs the opening event of the Institute of Networ
	k Culture’s Exit Fest — marking a\nmoment of institutional transition as I
	NC reimagines its future beyond the\nuniversity — this event brings togeth
	er leading thinkers in media theory and\ncritical network cultures. The co
	nversation reflects on platform power\, the\nchanging conditions of critiq
	ue\, and the institutional and collective forms\nthrough which critique mi
	ght still be sustained — both within and beyond the\nuniversity.\n\n\nSPEA
	KERS\n\nTiziana Terranova is Professor of Cultural Studies and Digital Med
	ia Theory at\nthe University of Naples “L’Orientale.” A major theorist of 
	network culture and\ndigital capitalism\, her work explores digital labor\
	, automation\, platform\neconomies\, and the digital commons. She is the a
	uthor of Network Culture (2004)\nand After the Internet (2022).\n\nNed Ros
	siter is Professor at the Institute for Culture and Society\, Western\nSyd
	ney University\, and a theorist of media infrastructures\, logistics\, and
	\norganized networks. His work examines how digital systems reorganize lab
	or\,\ninstitutions\, and political life\, with particular attention to aut
	omation\,\nplatform economies\, and new forms of organization.\n\nYuk Hui 
	is Professor of Philosophy at Erasmus University Rotterdam and one of\nthe
	 leading contemporary philosophers of technology. Known for his concept of
	\ncosmotechnics\, his work explores the relationship between technology\, 
	culture\,\necology\, and planetary futures\, challenging universal underst
	andings of\ntechnological development.\n\nAnna-Verena Nosthoff is Junior P
	rofessor of Ethics of Digitalisation at the\nUniversity of Oldenburg and C
	o-Director of the Critical Data Lab at Humboldt\nUniversity Berlin. Her wo
	rk examines platform power\, AI\, cybernetics\, and\ndigital governance\, 
	with particular attention to Big Tech\, political\nsubjectivity\, and cont
	emporary forms of technological control.\n\nGeert Lovink is founder of the
	 Institute of Network Cultures and Professor of\nArt and Network Cultures 
	at the University of Amsterdam. His work spans tactical\nmedia\, organized
	 networks\, platform critique\, and alternative forms of\npublishing and d
	igital organization. He is the author of numerous books on\ninternet cultu
	re and networked media.\n\nMarc Tuters(introduction) is Assistant Professo
	r of Media Studies at the\nUniversity of Amsterdam and co-director of the 
	Open Intelligence Lab. His\nresearch focuses on platform cultures\, propag
	anda\, conspiracy theories\, and\ndigital infrastructures\, with particula
	r attention to online political movements\nand media ecologies.\n\nJernej 
	Markelj (chair) is a Lecturer in New Media and Digital Culture at the\nUni
	versity of Amsterdam. His research focuses on affective politics of digita
	l\nmedia\, agentic imaginaries of AI\, and online gender.
URL:https://offbeat.amsterdam/event/platform-power
GEO:52.3685931;4.8896879
LOCATION:SPUI25 - Spui 25-27\, 1012 WX Amsterdam
STATUS:CONFIRMED
CATEGORIES:alternative,amsterdam-centrum,books,capitalism,ecology,experimen
	tal,gender,opening,spui
X-ALT-DESC;FMTTYPE=text/html:<p>Artificial intelligence, platform consolida
	tion, geopolitical struggles over digital infrastructure, and increasingly
	 polarized online cultures have transformed the terrain of public life. Cr
	itique of digital systems is no longer confined to specialists. But what c
	omes after diagnosis? A conversation organized by the Institute of Network
	 Cultures.  </p>  <p>For over two decades, the Institute of Network Cultur
	es has critically engaged with digital culture through research, artistic 
	experimentation, and para-academic forms of public engagement. How have th
	e conditions for critique changed? </p> <p>If earlier moments of network c
	ulture were shaped by promises of openness, participation, and distributed
	 organization, the present conjuncture raises more difficult questions. Wh
	at forms of critique remain possible when digital infrastructures increasi
	ngly mediate politics, labor, culture, and knowledge? Has the object of cr
	itique itself shifted — from websites and social platforms to AI systems, 
	synthetic media, logistics, and new forms of algorithmic governance? </p> 
	<p>At the same time, the institutional conditions for critique have also c
	hanged. As universities and cultural institutions face increasing pressure
	s of precarity, quantification, and commercialization, para-academic space
	s such as the Institute of Network Cultures have taken on renewed signific
	ance. But how can critical and experimental spaces sustain themselves whil
	e maintaining autonomy? </p> <p>As the opening event of the Institute of N
	etwork Culture’s Exit Fest — marking a moment of institutional transition 
	as INC reimagines its future beyond the university — this event brings tog
	ether leading thinkers in media theory and critical network cultures. The 
	conversation reflects on platform power, the changing conditions of critiq
	ue, and the institutional and collective forms through which critique migh
	t still be sustained — both within and beyond the university. </p> <h3><st
	rong>Speakers</strong> </h3> <p><em><strong>Tiziana Terranova</strong></em
	> is Professor of Cultural Studies and Digital Media Theory at the Univers
	ity of Naples “L’Orientale.” A major theorist of network culture and digit
	al capitalism, her work explores digital labor, automation, platform econo
	mies, and the digital commons. She is the author of <em>Network Culture</e
	m> (2004) and <em>After the Internet</em> (2022). </p> <p><em><strong>Ned 
	Rossiter</strong></em> is Professor at the Institute for Culture and Socie
	ty, Western Sydney University, and a theorist of media infrastructures, lo
	gistics, and organized networks. His work examines how digital systems reo
	rganize labor, institutions, and political life, with particular attention
	 to automation, platform economies, and new forms of organization. </p> <p
	><em><strong>Yuk Hui</strong></em> is Professor of Philosophy at Erasmus U
	niversity Rotterdam and one of the leading contemporary philosophers of te
	chnology. Known for his concept of cosmotechnics, his work explores the re
	lationship between technology, culture, ecology, and planetary futures, ch
	allenging universal understandings of technological development. </p> <p><
	em><strong>Anna-Verena Nosthoff</strong></em> is Junior Professor of Ethic
	s of Digitalisation at the University of Oldenburg and Co-Director of the 
	Critical Data Lab at Humboldt University Berlin. Her work examines platfor
	m power, AI, cybernetics, and digital governance, with particular attentio
	n to Big Tech, political subjectivity, and contemporary forms of technolog
	ical control. </p> <p><em><strong>Geert Lovink</strong></em> is founder of
	 the Institute of Network Cultures and Professor of Art and Network Cultur
	es at the University of Amsterdam. His work spans tactical media, organize
	d networks, platform critique, and alternative forms of publishing and dig
	ital organization. He is the author of numerous books on internet culture 
	and networked media. </p> <p><em><strong>Marc Tuters</strong>(introduction
	)</em> is Assistant Professor of Media Studies at the University of Amster
	dam and co-director of the Open Intelligence Lab. His research focuses on 
	platform cultures, propaganda, conspiracy theories, and digital infrastruc
	tures, with particular attention to online political movements and media e
	cologies. </p> <p><em><strong>Jernej Markelj</strong> (chair)</em> is a Le
	cturer in New Media and Digital Culture at the University of Amsterdam. Hi
	s research focuses on affective politics of digital media, agentic imagina
	ries of AI, and online gender. </p>
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