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UID:26899@offbeat.amsterdam
SUMMARY:Para-siting: 0000-00-00
DTSTAMP:20260831T225709Z
DTSTART:20260908T100000Z
DTEND:20260924T160000Z
DESCRIPTION:Trevoga is a collective that defines itself as a chaotic inters
	ection of\nperformers who move against the current: dreamers\, doomers and
	 aliens drawn\ntoward another affect. Searching for an even more free-form
	 methodology of\npeer-to-peer theatre production\, Trevoga settles into Pa
	ra-siting to develop\nSoftrot’s upcoming solo performance 0000-00-00\, mad
	e in collaboration with Neda\nRuzheva\, Manshee Zheng and music producer D
	amiaan Steyn.\n\nThrough heavily processed vocals\, comfort clothes\, soft
	 hexes\, and disorienting\ndramaturgy\, 0000-00-00 captures Softrot mid-mo
	lt. Like an insect whose new\nexoskeleton hasn’t hardened\, her world is u
	nstable\, suspended between incomplete\nimages\, worst-case scenarios and 
	everyday rituals stuck on repeat. Her softness\nmeans she can only move wr
	ongly.\n\nInflected by Trevoga’s fascination with grim aesthetics and algo
	rithmic\nalienation\, the work turns this suspended state into a condition
	 rather than an\nexception. What happens when the act of becoming hardens 
	into logistical\nobligation\, when transformation ceases to promise renewa
	l and becomes continuous\nlabor instead? \n\n0000-00-00 doesn’t fear the e
	nd of the world\, but a world that never quite ends.\nProductive exhaustio
	n\, curdled into optimized deterioration. Where every attempt\nat repair e
	xtends what is already wearing away. Simply continuing because there\nis n
	o protocol for stopping.\n\nThe process of the performance will remain acc
	essible to visitors throughout the\nexhibition during opening hours. The p
	ublic programme unfolds through two guided\nencounters Rotmaxxing Home and
	 Rot-in-Progress before culminating in the first\npublic try-out of the pe
	rformance\, Try-Rotting: 0000-00-00.\n\nNina Pushkareva—Softrot—is an Amst
	erdam-based multidisciplinary artist and\ngraduate of the Academy for Thea
	tre and Dance (Modern Theatre Dance). Working\nacross movement\, music\, f
	ashion\, and sculpture\, she approaches the body as both\nimage and organi
	sm\, caught between decay and hallucinated continuity\;\nreconstructed fro
	m references\, preserved and consumed.\n\nNeda Ruzheva—co-founder of dance
	 collective Trevoga—graduated from the School\nfor New Dance Development b
	efore continuing their studies at the Sandberg\nInstitute. Their practice 
	blends academic rigor with subcultural grit\, fusing\ntheory\, sculpture\,
	 physicality and industrial sound to probe the commodification\nof desire 
	and longing buried beneath digital fatigue.\n\nManshee Zheng (b. 2002\, Be
	ijing) is an artist based in Amsterdam\, working across\ninstallation\, fa
	shion objects and autofictional text. Her practice orbits\nspectacle-drive
	n desire and the tension between sterile surfaces and\npsychological viole
	nce. She constructs controlled\, seductive scenes of\nexhibitionistic hidi
	ng—simultaneously hypervisible and hollowed out.
URL:https://offbeat.amsterdam/event/para-siting-0000-00-00
GEO:52.3737514;4.8959885
LOCATION:W139 - Warmoesstraat 139\, 1012 JB Amsterdam
STATUS:CONFIRMED
CATEGORIES:amsterdam-centrum,dance,exhibition,music,opening,oude kerk,para-
	siting,performance,repair,sculpture,theater
X-ALT-DESC;FMTTYPE=text/html:<p>Trevoga is a collective that defines itself
	 as a chaotic intersection of performers who move against the current: dre
	amers, doomers and aliens drawn toward another affect. Searching for an ev
	en more free-form methodology of peer-to-peer theatre production, Trevoga 
	settles into Para-siting to develop Softrot’s upcoming solo performance <e
	m>0000-00-00</em>, made in collaboration with Neda Ruzheva, Manshee Zheng 
	and music producer Damiaan Steyn.</p><p>Through heavily processed vocals, 
	comfort clothes, soft hexes, and disorienting dramaturgy, <em>0000-00-00</
	em> captures Softrot mid-molt. Like an insect whose new exoskeleton hasn’t
	 hardened, her world is unstable, suspended between incomplete images, wor
	st-case scenarios and everyday rituals stuck on repeat. Her softness means
	 she can only move wrongly.</p><p>Inflected by Trevoga’s fascination with 
	grim aesthetics and algorithmic alienation, the work turns this suspended 
	state into a condition rather than an exception. What happens when the act
	 of becoming hardens into logistical obligation, when transformation cease
	s to promise renewal and becomes continuous labor instead?&nbsp;</p><p><em
	>0000-00-00</em> doesn’t fear the end of the world, but a world that never
	 quite ends. Productive exhaustion, curdled into optimized deterioration. 
	Where every attempt at repair extends what is already wearing away. Simply
	 continuing because there is no protocol for stopping.</p><p>The process o
	f the performance will remain accessible to visitors throughout the exhibi
	tion during opening hours. The public programme unfolds through two guided
	 encounters <em>Rotmaxxing Home</em> and <em>Rot-in-Progress</em> before c
	ulminating in the first public try-out of the performance, <em>Try-Rotting
	:</em> <em>0000-00-00.</em></p><p><strong>Nina Pushkareva</strong>—Softrot
	—is an Amsterdam-based multidisciplinary artist and graduate of the Academ
	y for Theatre and Dance (Modern Theatre Dance). Working across movement, m
	usic, fashion, and sculpture, she approaches the body as both image and or
	ganism, caught between decay and hallucinated continuity; reconstructed fr
	om references, preserved and consumed.</p><p><strong>Neda Ruzheva</strong>
	—co-founder of dance collective Trevoga—graduated from the School for New 
	Dance Development before continuing their studies at the Sandberg Institut
	e. Their practice blends academic rigor with subcultural grit, fusing theo
	ry, sculpture, physicality and industrial sound to probe the commodificati
	on of desire and longing buried beneath digital fatigue.</p><p><strong>Man
	shee Zheng</strong> (b. 2002, Beijing) is an artist based in Amsterdam, wo
	rking across installation, fashion objects and autofictional text. Her pra
	ctice orbits spectacle-driven desire and the tension between sterile surfa
	ces and psychological violence. She constructs controlled, seductive scene
	s of exhibitionistic hiding—simultaneously hypervisible and hollowed out.<
	/p>
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DESCRIPTION:Para-siting: 0000-00-00
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