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SUMMARY:Living Room Session
DTSTAMP:20260901T201032Z
DTSTART:20261002T180000Z
DESCRIPTION:Fragmented Resonance\n\nLiving Room Session is a curatorial fra
	mework and recurring live program set in\na metaphorical living room where
	 different artistic practices meet. Curated and\nhosted by Shaquille Shani
	qua Joy\, each edition brings together artists who\nexplore a shared subje
	ct through their own medium.\n\nThis edition centers on Fragmented Resonan
	ce\, a subject that considers how\nunderstanding emerges through fragments
	\, echoes\, and relationships rather than\nfixed meanings. Memories\, soun
	ds\, objects\, movements\, and encounters carry\ntraces that repeat and re
	verberate across time\, creating connections between\nplaces\, histories\,
	 and lived experiences. Like an echo\, resonance is never an\nexact repeti
	tion\, it shifts\, returns\, and transforms. Meaning lies not in\ncertaint
	y but in what continues to resonate between people\, bodies\, and places.\
	n\nJoin us on October 2 for an evening with a reading by interdisciplinary
	 artist\nand poet(ic learner) senakirfa A. alongside a meditative soundsca
	pe by\nstoryteller and sound artist Marine Magdalene\, and the screening o
	f two short\nfilms by artist and photographer Bernice Mulenga\, followed b
	y a conversation\nwith Shaquille Shainqua Joy exploring the music and soun
	ds that influence their\npractice.\nProgramimage made by senakirfa A.\n\n\
	nLINE-UP\n\nBERNICE MULENGA\n\nBernice Mulenga (b. 1996) is a British-Cong
	olese artist and photographer based\nin London. Mulenga’s practice seeks t
	o archive\, document and interrogate the\nworld around them\, primarily fo
	cusing on themselves\, Black queer global and\nlocal communities\, and the
	 experiences found within them. Their work centres on\nbonds\, kinship and
	 the search for intimacy. This is exemplified in their ongoing\nphoto seri
	es #friendsonfilm\, a living archive that has been growing since 2015\nand
	 continues to evolve with time.\n\nMulenga’s recent exhibitions include th
	eir first institutional solo show\, LMK\nWHEN U REACH at Auto Italia\, Lon
	don (2025)\; Malembe\, Malembe\, Goswell Road\,\nParis (2025)\; Sending My
	 Love To You\, Baby\, Haricot Gallery\, London (2024)\;\nConversations\, W
	alker Art Gallery\, Liverpool (2024)\; Pictures of Us\, Gathering\,\nLondo
	n\; The Makings of You\, Modern Art Oxford (Photo Oxford)\; and Beautiful\
	nExperiments at Photo50 London Art Fair (all 2023)\, among many others. Mo
	st\nrecently\, Mulenga was awarded the Circa Prize 2024\, and their film L
	et’s Move On\nwas featured on Piccadilly Lights in London and other intern
	ational screens\nthroughout September 2024.\n\nLees meer\n\nSENAKIRFA A.\n
	\nsenakirfa A. is an Amsterdam-based interdisciplinary artist and poet(ic\
	nlearner)\, her work across installation\, sculpture\, writing\, sound\, a
	nd\nzine-making\, is an extension of her poetry practice\, through which s
	he centers\nwhat she terms poetic in(ter)ventions: an amalgam signifying w
	hat\nAfrican-Diasporic worldmaking ushers in. A. deeply fosters the thinki
	ng that she\nhas been able to share\, and simultaneously the continuous co
	llaborative making\nthat unfolds together with Bobbie Müller\, Jung Yeon K
	im\, Phantom Wizard\, and\nS*an D. Henry-Smith.\n\nFor the Living Room Ses
	sion\, senakirfa A. will read and work with sound informed\nby her study o
	f the traditionally female-led Nnwonkoro song tradition of the\nAshanti pe
	ople in Ghana.\n\nMARINE MAGDALENE\n\nMarine is a storyteller and sound ar
	tist whose work explores how sound can\ncreate space for remembrance\, hea
	ling\, and (re)connection with diasporic\nhistories while opening pathways
	 toward new cultural futures and practices.\nGuided by her Afro and Caribb
	ean heritage\, she creates meditative sonic\nlandscapes that invite listen
	ers to reflect and feel inward.\n\nSHAQUILLE SHANIQUA JOY\n\nShaquille Sha
	niqua Joy is a moderator and cultural curator whose practice\ncenters on s
	torytelling. Working across conversations\, programs\, and\nexhibitions\, 
	Shaquille explores how subjectivity and lived experience can serve\nas vit
	al forms of knowledge. Their curatorial and conversational practice\nempha
	sizes exchange over extraction: as a moderator\, they prioritize\nconversa
	tions rather than interviews\, cultivating environments where complexity\,
	\nnuance\, and vulnerability can be explored. Through this approach\, Shaq
	uille\ncollaborates with cultural institutions\, museums\, platforms\, and
	 brands to\ncreate encounters where listening\, resonance\, and embodied p
	resence become\ncentral methods of inquiry\, including formats such as Liv
	ing Room Session.\n\nWould you like to attend this program\, but don’t hav
	e the means to pay for a\nticket? Send an email to info@felixmeritis.nl\, 
	we can work something out.\n\nNote: By booking this ticket\, you agree to 
	potentially be photographed during\nthe event.
URL:https://offbeat.amsterdam/event/living-room-session-1
GEO:52.3699902;4.884254
LOCATION:Felix Meritis - Keizersgracht 324\, 1016 EZ Amsterdam
STATUS:CONFIRMED
CATEGORIES:afro,amsterdam-centrum,community,exhibition,film,keizersgracht,l
	ive,music,opening,poetry,queer,sculpture
X-ALT-DESC;FMTTYPE=text/html:<p>Fragmented Resonance</p>  <p><strong>Living
	 Room Session is a curatorial framework and recurring live program set in 
	a metaphorical living room where different artistic practices meet. Curate
	d and hosted by Shaquille Shaniqua Joy, each edition brings together artis
	ts who explore a shared subject through their own medium.</strong></p> <p>
	This edition centers on Fragmented Resonance, a subject that considers how
	 understanding emerges through fragments, echoes, and relationships rather
	 than fixed meanings. Memories, sounds, objects, movements, and encounters
	 carry traces that repeat and reverberate across time, creating connection
	s between places, histories, and lived experiences. Like an echo, resonanc
	e is never an exact repetition, it shifts, returns, and transforms. Meanin
	g lies not in certainty but in what continues to resonate between people, 
	bodies, and places. </p> <p>Join us on October 2 for an evening with a rea
	ding by interdisciplinary artist and poet(ic learner) senakirfa A. alongsi
	de a meditative soundscape by storyteller and sound artist Marine Magdalen
	e, and the screening of two short films by artist and photographer Bernice
	 Mulenga, followed by a conversation with Shaquille Shainqua Joy exploring
	 the music and sounds that influence their practice. <br><em>Programimage 
	made by senakirfa A</em>.</p> <h2><strong>Line-up</strong></h2>    <p><str
	ong>BERNICE MULENGA<br></strong><br><strong>Bernice Mulenga</strong> (b. 1
	996) is a British-Congolese artist and photographer based in London. Mulen
	ga’s practice seeks to archive, document and interrogate the world around 
	them, primarily focusing on themselves, Black queer global and local commu
	nities, and the experiences found within them. Their work centres on bonds
	, kinship and the search for intimacy. This is exemplified in their ongoin
	g photo series <em>#friendsonfilm</em>, a living archive that has been gro
	wing since 2015 and continues to evolve with time.</p> <p>Mulenga’s recent
	 exhibitions include their first institutional solo show, LMK WHEN U REACH
	 at Auto Italia, London (2025); <em>Malembe, Malembe</em>, Goswell Road, P
	aris (2025); <em>Sending My Love To You, Baby</em>, Haricot Gallery, Londo
	n (2024); <em>Conversations</em>, Walker Art Gallery, Liverpool (2024); <e
	m>Pictures of Us</em>, Gathering, London; <em>The Makings of You</em>, Mod
	ern Art Oxford (Photo Oxford); and <em>Beautiful Experiments</em> at Photo
	50 London Art Fair (all 2023), among many others. Most recently, Mulenga w
	as awarded the Circa Prize 2024, and their film <em>Let’s Move On</em> was
	 featured on Piccadilly Lights in London and other international screens t
	hroughout September 2024.</p>  Lees meer    <p><strong>SENAKIRFA A.</stron
	g></p> <p>senakirfa A. is an Amsterdam-based interdisciplinary artist and 
	poet(ic learner), her work across installation, sculpture, writing, sound,
	 and zine-making, is an extension of her poetry practice, through which sh
	e centers what she terms <em>poetic in(ter)ventions:</em> an amalgam signi
	fying what African-Diasporic worldmaking ushers in. A. deeply fosters the 
	thinking that she has been able to share, and simultaneously the continuou
	s collaborative making that unfolds together with Bobbie Müller, Jung Yeon
	 Kim, Phantom Wizard, and S*an D. Henry-Smith.</p> <p>For the Living Room 
	Session, senakirfa A. will read and work with sound informed by her study 
	of the traditionally female-led Nnwonkoro song tradition of the Ashanti pe
	ople in Ghana.</p>   <p><strong><strong>MARINE MAGDALENE</strong></strong>
	</p> <p>Marine is a storyteller and sound artist whose work explores how s
	ound can create space for remembrance, healing, and (re)connection with di
	asporic histories while opening pathways toward new cultural futures and p
	ractices. Guided by her Afro and Caribbean heritage, she creates meditativ
	e sonic landscapes that invite listeners to reflect and feel inward.</p>  
	 <p><strong><strong>SHAQUILLE SHANIQUA JOY</strong></strong></p> <p>Shaqui
	lle Shaniqua Joy is a moderator and cultural curator whose practice center
	s on storytelling. Working across conversations, programs, and exhibitions
	, Shaquille explores how subjectivity and lived experience can serve as vi
	tal forms of knowledge. Their curatorial and conversational practice empha
	sizes exchange over extraction: as a moderator, they prioritize conversati
	ons rather than interviews, cultivating environments where complexity, nua
	nce, and vulnerability can be explored. Through this approach, Shaquille c
	ollaborates with cultural institutions, museums, platforms, and brands to 
	create encounters where listening, resonance, and embodied presence become
	 central methods of inquiry, including formats such as <em>Living Room Ses
	sion</em>.</p>   <p><em>Would you like to attend this program, but don’t h
	ave the means to pay for a ticket? Send an email to info@felixmeritis.nl, 
	we can work something out.</em></p> <p><em>Note: By booking this ticket, y
	ou agree to potentially be photographed during the event.</em></p>
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