BEGIN:VCALENDAR VERSION:2.0 CALSCALE:GREGORIAN PRODID:adamgibbons/ics METHOD:PUBLISH X-PUBLISHED-TTL:PT1H BEGIN:VEVENT UID:30533@offbeat.amsterdam SUMMARY:IT’S ABOUT TIME!! DTSTAMP:20261115T015257Z DTSTART:20261127T190000Z DTEND:20261127T223000Z DESCRIPTION:New series of events where we meet COMPOSERS IN FIRST PERSON.\n GROND Bijdorpstraat 1\, Amsterdam\, Netherlands\n20:00 (doors: 19:30)\nDon ation based\n\nIT’S ABOUT TIME!! proudly presents composers Katarina Kadij ević and Hansko\nVisser\n\nDuring the presentation I will talk about my ap proach to presence\, awareness\,\nand sounding with space.\n\nkatarina kad ijević\, (ID~)entity work in progress\, likes to seek in-into-at\ndifferen t kinds of communication mechanisms\, ways\, possibilities\, connections\n with the space\, place\, plants\, animals\, objects\, human. Cohabiting he r body\, she\ncommunicates through movement\, voice\, poetry\, listening t o spaces. Between\nmemory and presence. Delusion of time. Layers in betwee n. Polyphonical\nstructures. Extremities. Process within process\, landsca pe undertones. Silence\nis a dear friend and compass which guides me. Movi ng as sound/light technician\,\nresearcher\, and doula.\nPart of multidisc iplinary collective OUTSIDEININSIDEOUTINSIDEOUTOUTSIDEIN.\n\n***\n\nThe Tu rtle asked the Lizard what he would do.\n\n(Anton Webern was a shaman\, to o)\n\n…when the Gypsies woke up in the first days of the war\, they witnes sed how the\nother people fleeing\, now all together on this road\, appear ed inapt in coping\nwith the new circumstances they found themselves in. W e can learn so much from\nthose\, who remained flexible enough not to conf orm to a sick system\, but who\,\ninstead\, stayed resistant enough to be able not only to adapt to change\, but to\nhelp us\, too\, by bringing it about.(after reading The Gypsies\, Jan Yoors)\n\n“experiments show that wh ile competition is usually dominant under benign\nconditions\, facilitatio n is common in harsh environments” (theory of critcal\ntransitons\, page 2 6\, Critical Transitions In Nature and Society\, Marten\nScheffer)\n\nAll of this gives me a bit of hope in a so totally divided\, postdigital\,\nne o-feudal world at war: Animism might be a better way out than functional\n harmonics… In my workshop Iuse theory of complex systems alongside grafic\ nlino-cut scores and radical counterpoint\, to equally distribute and shar e\nfreedom and responsibility in choosing the sounds we want to make.\n\nH ansko was born in a village\, formed his first band when he was eleven yea rs old\n(and Sjoerd was ten) and played ever since. Meanwhile studied russ ian literature\nand eastern europe history\, harvested apples and travelle d with Plan Kruutntoone\n(and much later on studied classical composition at Peter Laport ‘s Academia\nMusica\, and at Artez Conservatory). He is cu rrently working with Bezhanija Trio\nand painting\, and has two small book s out with poems\, a poetics on radical\ncounterpoint and drawings. (He lo ves to draw when listening to others\, when not\nplaying himself.)\n\n***\ n\nIT’S ABOUT TIME!! is initiated by composers Jasna Veličković and Danya Pilchen.\nWe invite you to GROND to meet\, listen and to plant some seeds for future\npossibilities together.\n\n***Thank you for helping us bring t his event to life! Your contributions\ndirectly cover our production expen ses\, allowing us to keep it running.*** URL:https://offbeat.amsterdam/event/its-about-time-2 GEO:52.3358778;4.9266131 LOCATION:Grond - Bijdorpstraat 1\, 1096 AP Amsterdam STATUS:CONFIRMED CATEGORIES:donation-based,drawing,experimental,painting,talk,visual art X-ALT-DESC;FMTTYPE=text/html:

New series of events where we meet COMPOSER S IN FIRST PERSON.
GROND Bijdorpstraat 1, Amsterdam, Netherlands
2 0:00 (doors: 19:30)
Donation based

IT’S ABOUT TIME!! pr oudly presents composers Katarina Kadijević and Hansko Visser

During the presentation I will talk about my approach to presence, awa reness, and sounding with space.

katarina kadijević, (ID~)entity wo rk in progress, likes to seek in-into-at different kinds of communication mechanisms, ways, possibilities, connections with the space, place, plants , animals, objects, human. Cohabiting her body, she communicates through m ovement, voice, poetry, listening to spaces. Between memory and presence. Delusion of time. Layers in between. Polyphonical structures. Extremities. Process within process, landscape undertones. Silence is a dear friend an d compass which guides me. Moving as sound/light technician, researcher, a nd doula.
Part of multidisciplinary collective OUTSIDEININSIDEOUTINSID EOUTOUTSIDEIN.

***

The Turtle asked the Lizard what he would do.

(Anton Webern was a shaman, too)

…when the Gypsies woke up in the first days of the war, they witnessed how the other people fleeing, now all together on this road, appeared inapt in cop ing with the new circumstances they found themselves in. We can learn so m uch from those, who remained flexible enough not to conform to a sick syst em, but who, instead, stayed resistant enough to be able not only to adapt to change, but to help us, too, by bringing it about.(after reading The Gypsies, Jan Yoors)

“experiments show that while co mpetition is usually dominant under benign conditions, facilitation is com mon in harsh environments” (theory of critcal transitons, page 26, Critica l Transitions In Nature and Society, Marten Scheffer)

All of this g ives me a bit of hope in a so totally divided, postdigital, neo-feudal wor ld at war: Animism might be a better way out than functional harmonics… In my workshop Iuse theory of complex systems alongside grafic lino-cut scor es and radical counterpoint, to equally distribute and share freedom and r esponsibility in choosing the sounds we want to make.

Hansko was bo rn in a village, formed his first band when he was eleven years old (and S joerd was ten) and played ever since. Meanwhile studied russian literature and eastern europe history, harvested apples and travelled with Plan Kruu tntoone (and much later on studied classical composition at Peter Laport ‘ s Academia Musica, and at Artez Conservatory). He is currently working wit h Bezhanija Trio and painting, and has two small books out with poems, a p oetics on radical counterpoint and drawings. (He loves to draw when listen ing to others, when not playing himself.)

***

IT’S ABOUT TIM E!! is initiated by composers Jasna Veličković and Danya Pilchen. We invit e you to GROND to meet, listen and to plant some seeds for future possibil ities together.

***Thank you for helping us bring this event to lif e! Your contributions directly cover our production expenses, allowing us to keep it running.***

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