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SUMMARY:Guinga & Debora Dienstmann in concert
DTSTAMP:20260429T021559Z
DTSTART:20260513T180000Z
DESCRIPTION:Guinga\, guitar & voice\nDebora Dienstmann\, voice Guinga\, Bra
	zilian guitarist\, singer\, and composer\, is\nconsidered one of the great
	est musical talents to have emerged in Brazil in the\n1990s. Born and rais
	ed in the neighborhoods of Rio de Janeiro\, a self-taught\nguitarist and f
	ormer dentist\, he grew up listening to choros\, waltzes\, and\nsambas\, i
	mmersing himself in the music of Jacob do Bandolim\, Pixinguinha\,\nCândid
	o das Neves\, Custódio Mesquita\, Ary Barroso\, Noel Rosa\, Chico Buarque\
	,\nDorival Caymmi\, and Vinícius de Moraes. Today\, Guinga is followed by 
	an\ninternational audience\, and his songs have been performed by renowned
	 artists\nsuch as Elis Regina\, Sérgio Mendes\, and Paulo César Pinheiro. 
	His artistry was\nalso featured in Mendes’ Grammy-winning album Brasileiro
	\, and he has\ncollaborated with João Nogueira\, Beth Carvalho\, Clara Nun
	es\, Alaíde Costa\, among\nmany other icons of Brazilian music. His compos
	itions\, often ironic and poetic\,\nare small gems that bring together sam
	ba\, choro\, jazz\, classical\, and popular\nmusic\, blending refined harm
	onies with haunting melodies. By his side\, Brazilian\nsinger Debora Diens
	tmann - based in Italy - is a versatile and profound artist\,\ndeeply enga
	ged in exploring the many repertoires of her country’s music. She has\nper
	formed at numerous music festivals in Italy\, sharing the richness and dep
	th\nof Brazilian tradition. Her background also includes classical trainin
	g: she\nholds a diploma in violin. A passionate and faithful interpreter o
	f Guinga’s\nwork\, she moves naturally between popular and classical music
	. Her voice\nintertwines with Guinga’s guitar in an intimate dialogue\, cr
	eating an original\nconcert where each song becomes an emotional story and
	 every arrangement a\nsurprise. A musical experience that strikes deep cho
	rds\, suspended between\nlyricism\, technique\, and passion. more about Gu
	inga. . . GUINGA (pronounced\nGeen-ga) was born Carlos Althier de Souza Le
	mos Escobar in Rio de Janeiro\,\nBrazil\, on June 10\, 1950. When he was 1
	3 years old\, he taught himself to play\nthe guitar. Later\, he formally s
	tudied music\, including five years of classical\nguitar lessons with the 
	renowned Jodacil Damasceno. Guinga began composing music\nwhen he was 16 y
	ears old and by age 17 he had already qualified one of his\ncompositions f
	or the Festival Internacional da Canção (International Festival of\nSong).
	 By the time he became a professional musician\, Guinga was already\naccom
	panying famous Brazilian artists such as Clara Nunes\, Beth Carvalho\, Ala
	íde\nCosta\, Cartola\, and João Nogueira\, among others. As Daniella Thomp
	son wrote for\nBrazzil.com [http://Brazzil.com]\,"While most popular compo
	sers are usually\nassociated with specific songs\, Guinga established his 
	reputation primarily on\nhis unique sound. Regardless of the genre in whic
	h he works - canção\, choro\,\nfrevo\, waltz\, bolero\, samba\, coco\, bai
	ão\, modinha\, foxtrot\, or jazz\, vocal or\ninstrumental - the outcome is
	 unmistakably his. Like Kurt Weill and Nino Rota -\ntwo other composers wh
	o are instantly recognizable by their sound - Guinga\nstraddles an indefin
	able line between pop and serious music. Synthesizing\nnumerous sources\, 
	including Impressionist music\, opera\, older popular songs\, and\njazz\, 
	he distills an intoxicating brew all his own\, enriched with audacious\nly
	rics by a handful of partners past and present." In addition to his life a
	s a\nmusician and composer\, Guinga has been a practicing dentist since 19
	75. He\ncomposes constantly and his songs have been recorded by some of th
	e most\nimportant names in Brazilian music\, including Elis Regina\, Miche
	l Legrand\,\nSérgio Mendes\, Leila Pinheiro\, Chico Buarque\, Clara Nunes\
	, and Ivan Lins. He has\ncomposed songs in partnership with Paulo César Pi
	nheiro\, Aldir Blanc\, and most\nrecently\, with Chico Buarque and Nei Lop
	es. awards and recognitions . . . Guinga\nhas received four Premio Sharp a
	wards (the Brazilian equivalent to the Grammy)\nin the following categorie
	s:\nBest Instrumental CD (Cheio de Dedos)\nBest Instrumental Song ("Dá o P
	é\, Loro")\nBest CD Production\, and Best Brazilian Popular Song ("Chá de 
	Panela"). The\nlatter appeared on Leila Pinheiro's CD\, Catavento e Girass
	ol (EMI Odeon)\, which\nfeatured a repertoire consisting entirely of Guing
	a's compositions. In 2000\, his\nfourth CD\, Suíte Leopoldina\, was electe
	d\, unanimously\, by the music critics of O\nGlobo (Brazil's newspaper) as
	 the best CD of Brazilian popular music\; his 2001\nrelease\, Cine Barones
	a\, was nominated for a Latin Grammy\, in the category of\nBest Brazilian 
	Popular Music Album. His 2003 CD\, Noturno Copacabana\, was also\nnominate
	d for a Grammy in the same category\; 2004 saw the release of Graffiando\n
	Vento. Guinga has toured Europe several times\, with performances at the j
	azz\nfestivals of Lavanga\, Arezzo\, Napoli\, Latina\, Naples\, Milan\, an
	d Rome\; the\nFestival Brasiliana and the Cafe Central in Madrid\; the Fes
	tival Internacional\nde Guitarra in Córdoba\, Spain\; Uppsala Guitar Festi
	val in Sweden and the\nFestival Braziliana at the Jazz House in Copenhagen
	\, Denmark. He has also\nappeared at Cuba Disco and the Festival Guitarras
	 del Mundo in Argentina. In\nspring 2005\, Guinga embarked on his first ma
	jor U.S. tour with his own quartet.\nThis tour took him to many cities acr
	oss the country\, including New York\, Los\nAngeles\, Chicago\, Cleveland\
	, Miami\, Atlanta\, Boston\, and Washington\, D.C. Guinga\nhas been partic
	ipating in the California Brazil Camp in Cazadero for 23 years.
URL:https://offbeat.amsterdam/event/guinga-and-debora-dienstmann-in-concert
	-1
GEO:52.354291;4.8540331
LOCATION:Teatro Munganga - Schinkelhavenstraat 27 HS\, 1075 VP Amsterdam
STATUS:CONFIRMED
CATEGORIES:amsterdam-zuid,concert,festivals,jazz,music,performance,schinkel
	buurt,stories
X-ALT-DESC;FMTTYPE=text/html:Guinga, guitar &amp; voice<br> Debora Dienstma
	nn, voice  <strong><em>Guinga</em></strong><em>, </em>Brazilian guitarist,
	 singer, and composer, is considered one of the greatest musical talents t
	o have emerged in Brazil in the 1990s. Born and raised in the neighborhood
	s of Rio de Janeiro, a self-taught guitarist and former dentist, he grew u
	p listening to choros, waltzes, and sambas, immersing himself in the music
	 of Jacob do Bandolim, Pixinguinha, Cândido das Neves, Custódio Mesquita, 
	Ary Barroso, Noel Rosa, Chico Buarque, Dorival Caymmi, and Vinícius de Mor
	aes. Today, Guinga is followed by an international audience, and his songs
	 have been performed by renowned artists such as Elis Regina, Sérgio Mende
	s, and Paulo César Pinheiro. His artistry was also featured in Mendes’ Gra
	mmy-winning album Brasileiro, and he has collaborated with João Nogueira, 
	Beth Carvalho, Clara Nunes, Alaíde Costa, among many other icons of Brazil
	ian music. His compositions, often ironic and poetic, are small gems that 
	bring together samba, choro, jazz, classical, and popular music, blending 
	refined harmonies with haunting melodies.  By his side, Brazilian singer <
	strong><em>Debora Dienstmann </em></strong>- based in Italy - is a versati
	le and profound artist, deeply engaged in exploring the many repertoires o
	f her country’s music. She has performed at numerous music festivals in It
	aly, sharing the richness and depth of Brazilian tradition. Her background
	 also includes classical training: she holds a diploma in violin. A passio
	nate and faithful interpreter of Guinga’s work, she moves naturally betwee
	n popular and classical music. Her voice intertwines with Guinga’s guitar 
	in an intimate dialogue, creating an original concert where each song beco
	mes an emotional story and every arrangement a surprise.  A musical experi
	ence that strikes deep chords, suspended between lyricism, technique, and 
	passion.  more about Guinga. . . GUINGA (pronounced Geen-ga) was born Carl
	os Althier de Souza Lemos Escobar in Rio de Janeiro, Brazil, on June 10, 1
	950. When he was 13 years old, he taught himself to play the guitar. Later
	, he formally studied music, including five years of classical guitar less
	ons with the renowned Jodacil Damasceno. Guinga began composing music when
	 he was 16 years old and by age 17 he had already qualified one of his com
	positions for the Festival Internacional da Canção (International Festival
	 of Song). By the time he became a professional musician, Guinga was alrea
	dy accompanying famous Brazilian artists such as Clara Nunes, Beth Carvalh
	o, Alaíde Costa, Cartola, and João Nogueira, among others.  As Daniella Th
	ompson wrote for <a target="_blank" href="http://Brazzil.com">Brazzil.com<
	/a>,"While most popular composers are usually associated with specific son
	gs, Guinga established his reputation primarily on his unique sound. Regar
	dless of the genre in which he works - canção, choro, frevo, waltz, bolero
	, samba, coco, baião, modinha, foxtrot, or jazz, vocal or instrumental - t
	he outcome is unmistakably his. Like Kurt Weill and Nino Rota - two other 
	composers who are instantly recognizable by their sound - Guinga straddles
	 an indefinable line between pop and serious music. Synthesizing numerous 
	sources, including Impressionist music, opera, older popular songs, and ja
	zz, he distills an intoxicating brew all his own, enriched with audacious 
	lyrics by a handful of partners past and present."  In addition to his lif
	e as a musician and composer, Guinga has been a practicing dentist since 1
	975. He composes constantly and his songs have been recorded by some of th
	e most important names in Brazilian music, including Elis Regina, Michel L
	egrand, Sérgio Mendes, Leila Pinheiro, Chico Buarque, Clara Nunes, and Iva
	n Lins. He has composed songs in partnership with Paulo César Pinheiro, Al
	dir Blanc, and most recently, with Chico Buarque and Nei Lopes.  awards an
	d recognitions . . .  Guinga has received four Premio Sharp awards (the Br
	azilian equivalent to the Grammy) in the following categories:<br> <em>Bes
	t Instrumental CD (Cheio de Dedos)<br> Best Instrumental Song ("Dá o Pé, L
	oro")<br> Best CD Production, and Best Brazilian Popular Song ("Chá de Pan
	ela"). </em> The latter appeared on Leila Pinheiro's CD, Catavento e Giras
	sol (EMI Odeon), which featured a repertoire consisting entirely of Guinga
	's compositions.  In 2000, his fourth CD, Suíte Leopoldina, was elected, u
	nanimously, by the music critics of O Globo (Brazil's newspaper) as the be
	st CD of Brazilian popular music; his 2001 release, Cine Baronesa, was nom
	inated for a Latin Grammy, in the category of Best Brazilian Popular Music
	 Album. His 2003 CD, Noturno Copacabana, was also nominated for a Grammy i
	n the same category; 2004 saw the release of Graffiando Vento.  Guinga has
	 toured Europe several times, with performances at the jazz festivals of L
	avanga, Arezzo, Napoli, Latina, Naples, Milan, and Rome; the Festival Bras
	iliana and the Cafe Central in Madrid; the Festival Internacional de Guita
	rra in Córdoba, Spain; Uppsala Guitar Festival in Sweden and the Festival 
	Braziliana at the Jazz House in Copenhagen, Denmark. He has also appeared 
	at Cuba Disco and the Festival Guitarras del Mundo in Argentina. In spring
	 2005, Guinga embarked on his first major U.S. tour with his own quartet. 
	This tour took him to many cities across the country, including New York, 
	Los Angeles, Chicago, Cleveland, Miami, Atlanta, Boston, and Washington, D
	.C. Guinga has been participating in the California Brazil Camp in Cazader
	o for 23 years.
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DESCRIPTION:Guinga & Debora Dienstmann in concert
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