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UID:22009@offbeat.amsterdam
SUMMARY:Film Lecture: Everything Is Cinema - The Filmic Alchemy Of Jean-Luc
	 Godard
DTSTAMP:20260507T185602Z
DTSTART:20260604T173000Z
DESCRIPTION:FILM LECTURE:\n\n\nEVERYTHING IS CINEMA – THE FILMIC ALCHEMY OF
	 JEAN-LUC GODARD\n\nIn Everything Is Cinema: The Filmic Alchemy of Jean-Lu
	c Godard\, film critic\nKevin Toma (De Volkskrant) takes the audience on a
	 surprising journey through\nGodard’s fascinating body of work. This film 
	lecture coincides with the\nre-release of Godard’s “neo-realist” musical U
	ne Femme Est Une Femme.\n\nDon’t expect a straightforward biography\, but 
	rather a whirlwind tour of\nbrilliant scenes and images—from the jump cuts
	 of À bout de souffle to the\nsurreal traffic jam in Week-end\, from the s
	low-motion beauty of Sauve qui peut\n(la vie) to the mind-bending 3D exper
	iments of Adieu au langage. What is the\nmost beautiful scene Godard ever 
	shot with his muse Anna Karina—and what is the\nfunniest? Each fragment re
	veals\, in its own way (visually\, sonically\, and\nemotionally)\, the sco
	pe of Godard’s genius\, and why it makes sense to speak of a\ncinema befor
	e him—and one after.
URL:https://offbeat.amsterdam/event/film-lecture-everything-is-cinema-the-f
	ilmic-alchemy-of-jean-luc-godard
GEO:52.3637259;4.8676321
LOCATION:LAB111 - Arie Biemondstraat 111\, 1054 PD Amsterdam
STATUS:CONFIRMED
CATEGORIES:amsterdam-west,film,lecture,oud-west,overtoombuurt
X-ALT-DESC;FMTTYPE=text/html:<h1>FILM LECTURE:</h1><h1>EVERYTHING IS CINEMA
	 – THE FILMIC ALCHEMY OF JEAN-LUC GODARD</h1> In <em>Everything Is Cinema:
	 The Filmic Alchemy of Jean-Luc Godard</em>, film critic Kevin Toma (De Vo
	lkskrant) takes the audience on a surprising journey through Godard’s fasc
	inating body of work. This film lecture coincides with the re-release of G
	odard’s “neo-realist” musical <em>Une Femme Est Une Femme.</em><p>Don’t ex
	pect a straightforward biography, but rather a whirlwind tour of brilliant
	 scenes and images—from the jump cuts of À bout de souffle to the surreal 
	traffic jam in Week-end, from the slow-motion beauty of Sauve qui peut (la
	 vie) to the mind-bending 3D experiments of Adieu au langage. What is the 
	most beautiful scene Godard ever shot with his muse Anna Karina—and what i
	s the funniest? Each fragment reveals, in its own way (visually, sonically
	, and emotionally), the scope of Godard’s genius, and why it makes sense t
	o speak of a cinema before him—and one after.</p>
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DESCRIPTION:Film Lecture: Everything Is Cinema - The Filmic Alchemy Of Jean
	-Luc Godard
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