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UID:26183@offbeat.amsterdam
SUMMARY:Curators’ Walkthrough of The Nature of Remembering
DTSTAMP:20260817T222005Z
DTSTART:20261003T120000Z
DTEND:20261003T130000Z
DESCRIPTION:Join co-curators Megan Hoetger and Lawil Karama for a walkthrou
	gh of the\nexhibition\, which introduces the audience to key topics within
	 each of the\nartists’ research trajectories\, as well as to major themes 
	connecting between\nthem. \n\nFor this event our normal entry ticket price
	s are applicable. Reserve your spot\nvia Eventbrite [https://www.eventbrit
	e.nl/e/1997444960647?aff=oddtdtcreator] and\nbuy your ticket at the door.\
	n\nLawil Karama (she/her) is a Ugandan-Dutch conceptual artist born in for
	mer West\nBerlin and based in Amsterdam. Her work is deeply rooted in the 
	diasporic\nexperience\, often drawing from her family history as a startin
	g point for\nchallenging conventional narratives and amplifying unheard vo
	ices. Karama’s\ncreative path began in the world of special make-up effect
	s\, which continues to\ninfluence her approach\, bringing a visceral under
	standing of form\, surface\, and\npsychological tension into her current w
	ork.\n\nMegan Hoetger (she/her) is an on-the-ground hard femme⁠⁠⁠\, and sh
	e is also a\nperformance\, film\, and media historian\, a curator\, conven
	er\, and pedagogical\ndreamer. At the core of her work is a double commitm
	ent: first\, to a research\npraxis that rejects colonial and (neo)liberal 
	strategies of knowledge\nproduction\; and second\, to the frames of thinki
	ng offered by the field of\nperformance studies with regards to time\, (im
	)material transmission\, and\nembodied memory. Hoetger is particularly att
	entive to what these frames of\nthinking can teach her about historiograph
	ic method\, the relationality of\narchival work / the relational work of ‘
	the archival\,’ and the politics of\nremembering events – from macro-level
	 actions in statecraft and international\nrelations to micro-level happeni
	ngs like a film screening\, poetry reading\, or\nperformance.
URL:https://offbeat.amsterdam/event/curators-walkthrough-of-the-nature-of-r
	emembering
GEO:52.3737514;4.8959885
LOCATION:W139 - Warmoesstraat 139\, 1012 JB Amsterdam
STATUS:CONFIRMED
CATEGORIES:amsterdam-centrum,exhibition,film,guided tour,oude kerk,performa
	nce,poetry
X-ALT-DESC;FMTTYPE=text/html:<p>Join co-curators Megan Hoetger and Lawil Ka
	rama for a walkthrough of the exhibition, which introduces the audience to
	 key topics within each of the artists’ research trajectories, as well as 
	to major themes connecting between them.&nbsp;</p><p>For this event our no
	rmal entry ticket prices are applicable. <a href="https://www.eventbrite.n
	l/e/1997444960647?aff=oddtdtcreator">Reserve your spot via Eventbrite</a> 
	and buy your ticket at the door.</p><p><strong>Lawil Karama </strong>(she/
	her) is a Ugandan-Dutch conceptual artist born in former West Berlin and b
	ased in Amsterdam. Her work is deeply rooted in the diasporic experience, 
	often drawing from her family history as a starting point for challenging 
	conventional narratives and amplifying unheard voices. Karama’s creative p
	ath began in the world of special make-up effects, which continues to infl
	uence her approach, bringing a visceral understanding of form, surface, an
	d psychological tension into her current work.</p><p><strong>Megan Hoetger
	 </strong>(she/her) is an on-the-ground hard femme⁠⁠⁠, and she is also a p
	erformance, film, and media historian, a curator, convener, and pedagogica
	l dreamer. At the core of her work is a double commitment: first, to a res
	earch praxis that rejects colonial and (neo)liberal strategies of knowledg
	e production; and second, to the frames of thinking offered by the field o
	f performance studies with regards to time, (im)material transmission, and
	 embodied memory. Hoetger is particularly attentive to what these frames o
	f thinking can teach her about historiographic method, the relationality o
	f archival work / the relational work of ‘the archival,’ and the politics 
	of remembering events – from macro-level actions in statecraft and interna
	tional relations to micro-level happenings like a film screening, poetry r
	eading, or performance.</p>
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DESCRIPTION:Curators’ Walkthrough of The Nature of Remembering
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