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PRODID:adamgibbons/ics
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UID:27177@offbeat.amsterdam
SUMMARY:Chat Pile
DTSTAMP:20260909T002547Z
DTSTART:20270212T193000Z
DESCRIPTION:Biting noise-rock band releases new album as a merciless portra
	yal of a world in\ndecline\n\nIn a world increasingly characterised by dis
	posable content\, Chat Pile responds\nwith something that feels painfully 
	real: a mindset that permeates ‘Who Loves\nThe Sun’\, their third full-len
	gth album. Since the band’s formation just over\nsix years ago\, the Oklah
	oma City-based quartet Chat Pile has evolved from a\nmessy passion project
	 into a leading underground heavy act. The band creates a\ncrushing and ca
	thartic take on noise rock. Nothing about ‘Who Loves The Sun’\nfeels artif
	icial. Whilst their debut album ‘God’s Country’ depicted a\nquintessential
	ly American form of anxiety and its follow-up ‘Cool World’\nportrayed a cr
	uel planet characterised by global systemic violence\, the new\nalbum lays
	 bare how collective indifference defines this new century. With\nimages o
	f coastlines devouring cities\, dead-end jobs and submission to\ndata-driv
	en artificiality\, the album dissects the apathy-fuelled state of\n21st-ce
	ntury existence as a slow-motion apocalypse.
URL:https://offbeat.amsterdam/event/chat-pile
GEO:52.36215535;4.883782439016489
LOCATION:Paradiso - Weteringschans 6\, 1017 SG Amsterdam
STATUS:CONFIRMED
CATEGORIES:amsterdam-centrum,leidseplein,rock
X-ALT-DESC;FMTTYPE=text/html:Biting noise-rock band releases new album as a
	 merciless portrayal of a world in decline<br><br><p>In a world increasing
	ly characterised by disposable content, Chat Pile responds with something 
	that feels painfully real: a mindset that permeates ‘Who Loves The Sun’, t
	heir third full-length album. Since the band’s formation just over six yea
	rs ago, the Oklahoma City-based quartet Chat Pile has evolved from a messy
	 passion project into a leading underground heavy act. The band creates a 
	crushing and cathartic take on noise rock. Nothing about ‘Who Loves The Su
	n’ feels artificial. Whilst their debut album ‘God’s Country’ depicted a q
	uintessentially American form of anxiety and its follow-up ‘Cool World’ po
	rtrayed a cruel planet characterised by global systemic violence, the new 
	album lays bare how collective indifference defines this new century. With
	 images of coastlines devouring cities, dead-end jobs and submission to da
	ta-driven artificiality, the album dissects the apathy-fuelled state of 21
	st-century existence as a slow-motion apocalypse.</p>
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DESCRIPTION:Chat Pile
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