BEGIN:VCALENDAR
VERSION:2.0
CALSCALE:GREGORIAN
PRODID:adamgibbons/ics
METHOD:PUBLISH
X-PUBLISHED-TTL:PT1H
BEGIN:VEVENT
UID:24471@offbeat.amsterdam
SUMMARY:ATE Methodology  - practice workshop
DTSTAMP:20260702T212959Z
DTSTART:20260708T153000Z
DTEND:20260708T173000Z
DESCRIPTION:Genre: movement and voice workshop\nLine up: Irina Baldini\nOpe
	n: 17:30 - 19:30 hrs\nTickets: € 20\n\nATE Methodology - practice workshop
	\nDates: 8th July - Price 20€ - payment via link\nQuestions: 4bidgallery@g
	mail.com\nAccountable temporary expedients (ATE) is a choreographic method
	ology developed\nby Irina Baldini\, that uses task-based improvisation to 
	challenge dancers’\nability to handle confusion and uncertainty.\nKey prin
	ciples of Accountable Temporary Expedients:\nUse of movement and voice: Th
	e practice involves integrating dancing with\nvocalising as part of the ex
	ploration\, treating the "fleetingness of sound" as a\nmaterial to engage 
	with.\nImprovisation and Composition: ATE is a tool for both improvising i
	n the moment\nand for choreographing future work. We will make use of the 
	ATE card deck\, a\npractical tool complementing the methodology in use.\nI
	nternal and external stimuli: attending to the body's internal signals by\
	nfocusing in particular on the organs of the torso\, as well as the perfor
	mer's\nenvironment.\nEmbracing Confusion: The practice challenges movers t
	o attend to multiple\nstimuli at once and encourages embracing doubt and u
	ncertainty to foster new\ndecision-making and “emergent embodied cognition
	”.\n\nBio\nIrina Baldini is an Amsterdam-based Finnish-Italian dancer\, ch
	oreographer\, and\nartist-researcher known for her site-responsive work an
	d interest in ephemeral\nexperiences. With an extensive background in clas
	sical and contemporary dance\n(Laban Centre\, ArtEZ University)\, conserva
	tion\, and printmaking\, she integrates\ndiverse mediums in her practice.\
	n\nBaldini has performed and choreographed internationally at venues inclu
	ding the\nVenice Biennale and Tate Britain. Her work often utilizes improv
	isation and a\n"not-aboutness" approach\, focusing on the immediacy of sen
	sation.\n\nAs a curator\, she co-founded the Amsterdam non-profit 4bid Gal
	lery\, a platform\nfor experimental encounters between visual and performa
	nce arts. She also\ninitiated the performance events Highs & Lows and the 
	body-focused B. base\nprogram.\n\nBaldini is an active educator and has au
	thored three books\, including Low\nContent (2018) and Kelder (2020)\, whi
	ch reflect on change\, performance\, and\nmetamorphosis and Accountable Te
	mporary Expedients (2021). Beyond her work in\ndance and visual arts\, she
	 plays bass guitar and is lead vocalist in the punk-HC\nband Controlled Il
	lusion.
URL:https://offbeat.amsterdam/event/ate-methodology-practice-workshop-2
GEO:52.3601403;4.8656923
LOCATION:OT301 - Overtoom 301\, 1054 HW Amsterdam
STATUS:CONFIRMED
CATEGORIES:amsterdam-west,books,dance,experimental,improv,movement and voic
	e workshop,performance,punk,vondelparkbuurt,workshop
X-ALT-DESC;FMTTYPE=text/html:<strong>Genre:</strong> movement and voice wor
	kshop<br><strong>Line up:</strong> Irina Baldini<br><strong>Open:</strong>
	 17:30 - 19:30 hrs<br><strong>Tickets:</strong> € 20  <p><strong>ATE Metho
	dology - practice workshop</strong><br> Dates: 8th July - Price 20€ - paym
	ent via link<br> Questions: 4bidgallery@gmail.com<br> Accountable temporar
	y expedients (ATE) is a choreographic methodology developed by Irina Baldi
	ni, that uses task-based improvisation to challenge dancers’ ability to ha
	ndle confusion and uncertainty. <br> Key principles of Accountable Tempora
	ry Expedients:<br> Use of movement and voice: The practice involves integr
	ating dancing with vocalising as part of the exploration, treating the "fl
	eetingness of sound" as a material to engage with.<br> Improvisation and C
	omposition: ATE is a tool for both improvising in the moment and for chore
	ographing future work. We will make use of the ATE card deck, a practical 
	tool complementing the methodology in use.<br> Internal and external stimu
	li: attending to the body's internal signals by focusing in particular on 
	the organs of the torso, as well as the performer's environment.<br> Embra
	cing Confusion: The practice challenges movers to attend to multiple stimu
	li at once and encourages embracing doubt and uncertainty to foster new de
	cision-making and “emergent embodied cognition”.</p> <p><strong>Bio </stro
	ng><br> Irina Baldini is an Amsterdam-based Finnish-Italian dancer, choreo
	grapher, and artist-researcher known for her site-responsive work and inte
	rest in ephemeral experiences. With an extensive background in classical a
	nd contemporary dance (Laban Centre, ArtEZ University), conservation, and 
	printmaking, she integrates diverse mediums in her practice. </p> <p>Baldi
	ni has performed and choreographed internationally at venues including the
	 Venice Biennale and Tate Britain. Her work often utilizes improvisation a
	nd a "not-aboutness" approach, focusing on the immediacy of sensation.</p>
	 <p>As a curator, she co-founded the Amsterdam non-profit 4bid Gallery, a 
	platform for experimental encounters between visual and performance arts. 
	She also initiated the performance events Highs &amp; Lows and the body-fo
	cused B. base program. </p> <p>Baldini is an active educator and has autho
	red three books, including Low Content (2018) and Kelder (2020), which ref
	lect on change, performance, and metamorphosis and Accountable Temporary E
	xpedients (2021). Beyond her work in dance and visual arts, she plays bass
	 guitar and is lead vocalist in the punk-HC band Controlled Illusion.</p>
BEGIN:VALARM
ACTION:DISPLAY
DESCRIPTION:ATE Methodology  - practice workshop
TRIGGER:-PT1H
END:VALARM
END:VEVENT
END:VCALENDAR