BEGIN:VCALENDAR
VERSION:2.0
CALSCALE:GREGORIAN
PRODID:adamgibbons/ics
METHOD:PUBLISH
X-PUBLISHED-TTL:PT1H
BEGIN:VEVENT
UID:26620@offbeat.amsterdam
SUMMARY:20–23°C / 50% RH
DTSTAMP:20260824T175709Z
DTSTART:20261011T130000Z
DTEND:20261011T143000Z
DESCRIPTION:In this performative activation of 350.000 Leaks (Griefs)\, Ara
	m Lee and artist\nMerapi Obermayer invite participants into an intergenera
	tional gathering of\nreading\, storytelling\, oral histories\, and call-an
	d-response.\n\nMoving across generations\, national borders\, bodies\, and
	 languages\, 20–23°C /\n50% RH questions the hegemonic logic of the univer
	sal institutional climate\nestablished through conservation in European et
	hnocolonial museums. Rather than\napproaching preservation as permanence\,
	 the gathering begins from an\nunderstanding of care as a practice of tran
	smission\, translation\, and\ntransformation. Through personal memories\, 
	oral histories\, excerpts from the\nwork\, and related texts\, the group e
	xplores how memories\, losses\, and climates\npass between and through bod
	ies. Together\, Lee\, Obermayer\, and the session\nparticipants seek other
	 climates that emerge through ongoing acts of translation\nand cannot be r
	educed to fixed measurements.\n\nTicket: €10Student and solidarity ticket:
	 €7\,50\n\nBuy your tickets via Eventbrite.\n[https://www.eventbrite.com/e
	/2023c-50-rh-tickets-1998756029088?aff=oddtdtcreator]\n\nAram Lee (she/her
	) is an artist\, writer\, and educator. Grounded in feminist\nmaterialist 
	thinking\, her practice examines how histories of power\,\nmilitarization\
	, occupation\, and toxicity are embedded within landscapes\, bodies\,\nand
	 ecological matter. Working across moving image\, installation\, and\nrese
	arch-based projects\, she draws on oral histories\, scientific inquiry\, a
	nd\nsite-specific investigation to reveal marginalized narratives\, materi
	al memory\,\nand alternative ways of sensing place.\n\nMerapi Obermayer (s
	he/her) is an artist\, poet\, and writer born in 1947.\nObermeyer calls he
	r work “Fragments in passing\,” which bring together various\ndisciplines 
	based on her own colonial history and the issues it raises. The city\nbeca
	me her natural habitat—there she meets people who\, just like her\, have\n
	become detached from their original landscape\; people who are\, day after
	 day\,\ncreating their own landscapes\, which cannot be taken away by othe
	rs and which\ncan be carried forever. You can bury your roots\, your child
	hood\, but never\nforever. There is no need to show them to the world. The
	y come out of their own\naccord. Right now\, Obermayer’s attention is focu
	sed on photography\, projects\nthat are never finished\, and writing.\n\nI
	mage: 350\,000 Leaks (Griefs) (2024) by Aram Lee\, documentation of the li
	ve\nradio broadcast at Wereldmuseum Amsterdam.
URL:https://offbeat.amsterdam/event/2023degreec-50-rh
GEO:52.3737514;4.8959885
LOCATION:W139 - Warmoesstraat 139\, 1012 JB Amsterdam
STATUS:CONFIRMED
CATEGORIES:alternative,amsterdam-centrum,event,live,oude kerk,performance,s
	torytelling,talk
X-ALT-DESC;FMTTYPE=text/html:<p>In this performative activation of <em>350.
	000 Leaks (Griefs)</em>, Aram Lee and artist Merapi Obermayer invite parti
	cipants into an intergenerational gathering of reading, storytelling, oral
	 histories, and call-and-response.</p><p>Moving across generations, nation
	al borders, bodies, and languages, <em>20–23°C / 50% RH</em> questions the
	 hegemonic logic of the universal institutional climate established throug
	h conservation in European ethnocolonial museums. Rather than approaching 
	preservation as permanence, the gathering begins from an understanding of 
	care as a practice of transmission, translation, and transformation. Throu
	gh personal memories, oral histories, excerpts from the work, and related 
	texts, the group explores how memories, losses, and climates pass between 
	and through bodies. Together, Lee, Obermayer, and the session participants
	 seek other climates that emerge through ongoing acts of translation and c
	annot be reduced to fixed measurements.</p><p>Ticket: €10Student and solid
	arity ticket: €7,50</p><p><a href="https://www.eventbrite.com/e/2023c-50-r
	h-tickets-1998756029088?aff=oddtdtcreator">Buy your tickets via Eventbrite
	.</a></p><p><strong>Aram Lee</strong> (she/her) is an artist, writer, and 
	educator. Grounded in feminist materialist thinking, her practice examines
	 how histories of power, militarization, occupation, and toxicity are embe
	dded within landscapes, bodies, and ecological matter. Working across movi
	ng image, installation, and research-based projects, she draws on oral his
	tories, scientific inquiry, and site-specific investigation to reveal marg
	inalized narratives, material memory, and alternative ways of sensing plac
	e.</p><p><strong>Merapi Obermayer</strong> (she/her) is an artist, poet, a
	nd writer born in 1947. Obermeyer calls her work “Fragments in passing,” w
	hich bring together various disciplines based on her own colonial history 
	and the issues it raises. The city became her natural habitat—there she me
	ets people who, just like her, have become detached from their original la
	ndscape; people who are, day after day, creating their own landscapes, whi
	ch cannot be taken away by others and which can be carried forever. You ca
	n bury your roots, your childhood, but never forever. There is no need to 
	show them to the world. They come out of their own accord. Right now, Ober
	mayer’s attention is focused on photography, projects that are never finis
	hed, and writing.</p><p>Image: <em>350,000 Leaks (Griefs) </em>(2024) by A
	ram Lee, documentation of the live radio broadcast at Wereldmuseum Amsterd
	am.</p>
BEGIN:VALARM
ACTION:DISPLAY
DESCRIPTION:20–23°C / 50% RH
TRIGGER:-PT1H
END:VALARM
END:VEVENT
END:VCALENDAR
